THE LITTLE MERMAID – Review by Susan Granger

Why this live-action remake of Disney’s beloved 1989 animated classic? Because it’s “woke” 2023 – when audiences may want to see a more dutiful, diversity-aware approach to race and gender in The Little Mermaid. Sweetly guileless Ariel (Grammy-nominated Halle Bailey) is one of King Triton’s many, multiethnic mermaid daughters. Despite her widowed father’s disapproval, she avidly collects artifacts from the human world that she scavenges from shipwrecks with the help of her fish friend Flounder and Scuttle, a squawking seagull.

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THE LITTLE MERMAID – Review by Valerie Kalfrin

Disney’s new live-action take on The Little Mermaid goes along swimmingly in its sweet romance, but it doesn’t diverge enough from its animated roots to truly make a splash. First things first: The charming Halle Bailey gets Ariel endearingly right, from her innocent optimism to unquenchable curiosity. Unfairly targeted with racist vitriol after the initial trailers, Bailey is a likable lead, and it’s easy to imagine young mermaid fans loving her and her sisters, who also are women of different races. The Little Mermaid is adorable enough in parts, but its story largely stays on the surface. Like Ariel in “Part of Your World,” I wanted more.

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LADY CHATTERLEY’S LOVER – Review by Diane Carson

What distinguishes Laure de Clermont-Tonnerre’s new version of Lady Chatterley’s Lover is her explicit portrayal of overpowering female lust, along with explosive issues still relevant. They include: class divisions, male dominance and victimization of workers, and subservience of women through control of their bodies and behavior, in part because of gossip, ostracism, and shame. In addition, multiple dysfunctional relationships contrast with Lady Chatterley and Oliver, who himself has an ex-wife demanding financial support.

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LADY CHATTERLEY’S LOVER – Review by Rachel West

French actress-turned-director Laure de Clermont-Tonnerre (The Mustang) delivers an affair to remember in her new Netflix adaptation of D.H. Lawrence’s classic tale. The film succeeds on the red-hot chemistry between leads Emma Corrin and Jack O’Connell in the (many) sex scenes. While mostly faithful to Lawrence’s novel and even previous adaptations, de Clermont-Tonnerre films the story from Connie’s point of view, as a journey of personal erotic awakening.

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