ZOOTOPIA 2 – Review by Valerie Kalfrin

Almost ten years after the original Zootopia tackled prejudice and racial profiling in an animated Disney package, Zootopia 2 loses none of its guts or its bite. Again tackling heady themes within a shady land-grab conspiracy right at home in Chinatown, Zootopia 2 still brings all the fun, fur, and feels. As with the 2016 film, the marvel of Zootopia 2 is how it holds together so well, serving up lessons about tolerance and inclusivity without being clumsy or heavy-handed.

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NIGHTMARE ALLEY – Reviewed by T. J. Callahan

Nightmare Alley is the remake of a 1947 noir thriller that starred that swashbuckling heartthrob, Tyrone Power. Bradley Cooper steps into the role trying his best to be wickedly suave as a carny with a murderous past who learns the tricks of the traveling sideshow trade to swindle the rich as a manipulating mind reader. He’s a high plains drifter grifter.

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NIGHTMARE ALLEY – Review by Diane Carson

A remake of director Edmund Goulding’s shattering and, at the time, shockingly macabre 1947 noir Nightmare Alley may not seem the least bit necessary. But the imaginative Guillermo del Toro, with a screenplay by him and Kim Morgan, proves that this grim story still delivers a powerful experience and a weighty warning in his compelling, superbly cinematic reinterpretation.

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NOMADLAND – Review by Martha K Baker

Anyone who saw director Chloé Zhao’s impressive film, The Rider, expects her imprint to embellish, her choices to be signatory. Zhao’s screenplay, although based on Jessica Bruder’s eye-opening exposé about the lives of older, rootless workers, skews Bruder’s emphasis to Zhao’s. Like The Rider, Nomadland amalgamates documentary with narrative forms of film.

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