DECEPTION – Review by Joan Amenn

It helps, but is not mandatory, to know something about the work of author Philip Roth when viewing this adaptation of his novel, Deception. The book is mostly dialog between its two main characters so any attempt at translating it to film is a daring project. Director Arnaud Desplechin takes it on with a strong sense of the rhythmic nature of the give and take between the two lovers that make up the plot. However, the underlying themes of self-loathing and obsession bog down the story, making it feel stifling and static at times.

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MOVIE OF THE WEEK April 29, 2022: ANAIS IN LOVE

Like a French Greta Gerwig character, the charming but often-flighty Anaïs (Anaïs Demoustier) discovers the truth behind Shakespeare’s old adage that the course of true love never did run smooth in Charline Bourgeois-Tacquet’s beguiling French romantic comedy Anaïs in Love. As she negotiates family, work, and romance, Anaïs begins to realize that her ultra-carefree approach to life may not always be the best option now that she’s entering her 30s. But does that mean she has to change her ways?

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ANAIS IN LOVE – Review by Susan Wloszczyna

Call her irresponsible, call her unreliable, call her infuriating, call her self-centered, call her Anaïs in Love. A first feature from French writer-director Charline Bourgeiois-Tacquet, Anaïs in Love revolves around an exceedingly irresponsible, and, yes, quite fetching 30-year-old woman who acts like a rebellious teen who constantly thinks about herself without considering how her choices affect those around her.

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