MATT AND MARA (Melbourne IFF 2024) – Review by Nadine Whitney

A finely drawn character study with charming humour and some not-so-subtle barbs about the Toronto literary and artistic scene, Matt and Mara dissects fragile egos, adult ennui, and the parameters of success with the sensibility built around the shifting maturity of the protagonists. Director Kazik Radwanski presents a dramatic comedy hiding its profundity in constructed slightness. Two imperfect and indulgent people who open and close doors in their relationship as they hold each other to account simply by existing. Matt and Mara emerges as tender depiction of a bittersweet, deep and complicated connection.

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MATT AND MARA (Melbourne IFF 2024) – Review by Alexandra Heller-Nicholas

The relaxed yet vibrant banter between Matt and Mara at the heart of the movie might be best described as something almost post-mumblecore in nature, but such a description risks sounding inappropriately glib. Rather, this is a careful, considered and considerate film, an authentic portrait of two people at a transformative moment full of all the life and humour and contradictions shared by us all.

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ANNE AT 13,000 FT – Review by Kristen Page-Kirby

Anne is a character we don’t see often in film, and director Kazik Radwanski gives us the space to react to her as we do. Most importantly, we’re given permission to not like Anne. “Likeability” is so often the death knell for female characters; it’s the cinematic equivalent of “you’d be so much prettier if you smiled.” To have a female character who simply is and doesn’t seek, require, or offer redemption to herself or others is rare and refreshing.

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ANNE AT 13,0000 FT (MIFF 2020) – Review by Alexandra Heller-Nicholas

Anne at 13,000 Ft is about learning how to fly. Or at least, trying to learn how to fly. The film opens with its eponymous Anne – played in a career-making performance by Deragh Campbell – skydiving at her best friend Sarah’s bachelorette party.

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