MAKING MARIE ANTOINETTE (Telluride FF 2026) – Review by Diane Carson

Already celebrated for her dazzling, incisive Hearts of Darkness: A Filmmaker’s Apocalypse (1991) documenting the filmmaking trials of husband Francis Ford Coppola’s Apocalypse Now, Eleanor Coppola’s Making Marie Antoinette (2026) confirms and enhances her reputation as an accomplished filmmaker in her own right. Early in the documentary, in excerpts from her journal spoken by Diane Lane, Eleanor acknowledges that she much prefers to stand back and observe, that “it is against my personality to shoot a documentary, and yet I continue to do so.”

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A MAN IN FULL – Review by Diane Carson

Some rare directors and writers risk alienating audiences by populating their stories with unlikable characters, principals to supporting participants. The only entertainment, so to speak, may be watching the deeply flawed individuals get their comeuppance, enjoyment derived from their fall. A case can be made that this applies to the Netflix miniseries A Man in Full.

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AWFJ Movie of the Week, June 15-21: INSIDE OUT

Opening June 19, AWFJ’s Movie of the Week is Inside Out, the latest family film from animation powerhouse Pixar. Newcomer Kaitlyn Dias voices Riley, a young girl who has moved from the Midwest to San Francisco, prompting her emotions to go into overdrive. Read on…

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“Nights In Rodanthe” – Maitland McDonagh reviews

Fine performances can’t disguise the fact that this three-hankie weeper, based on the novel by Nicholas Sparks (THE NOTEBOOK, A

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“Nights In Rodanthe” – Susan Granger reviews

From novelist Nicholas Sparks (“The Notebook,” “Message in a Bottle”) comes another romantic drama, a passionate story about love, family

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