Telluride Film Festival 2026 Overview (Part Two) – Diane Carson reports

The outstanding films described in the 53rd Telluride Film Festival Overview Part One comprise just a diverse sampling. Here, in Part Two, among other diverse selections meriting praise, again documentaries and fiction films figure in the mix. Most striking, actors’ performances in the narratives deserve particular commendation for their exceptional realization of complex, often fraught and difficult characters. For their part, the nonfiction works bring their topics to vivid life through well-chosen footage, fine editing, and unobtrusive music and sound.

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MAKING MARIE ANTOINETTE (Telluride FF 2026) – Review by Diane Carson

Already celebrated for her dazzling, incisive Hearts of Darkness: A Filmmaker’s Apocalypse (1991) documenting the filmmaking trials of husband Francis Ford Coppola’s Apocalypse Now, Eleanor Coppola’s Making Marie Antoinette (2026) confirms and enhances her reputation as an accomplished filmmaker in her own right. Early in the documentary, in excerpts from her journal spoken by Diane Lane, Eleanor acknowledges that she much prefers to stand back and observe, that “it is against my personality to shoot a documentary, and yet I continue to do so.”

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MOVIE OF THE WEEK May 12- 19: PARIS CAN WAIT

motw logo 1-35If you’re looking for an escape from the stress of everyday life (especially these days) — and who isn’t? — you could do far worse than joining star Diane Lane and director Eleanor Coppola for a food-, wine-, and scenery-filled road trip through France in “Paris Can Wait.” Reminiscent of both “A Good Year” and Lane’s own “Under the Tuscan Sun,” this is the kind of sun-kissed cinematic respite that we all need sometimes.

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