GAIL DAUGHTRY AND THE CELEBRITY SEX PASS (Tribeca 2026) – Review by Nadine Whitney

Wain’s fish-out-of-water comedy relies heavily on increasingly ridiculous situations to carry the comedy. No stranger to getting silly, Filmmaker David Wain’s satire is very rarely anything but silly. Charming performances by Deutch and especially Slattery, Wang, and very game Jon Hamm can’t glue the “situational” aspect of the film together to form something particularly sustained and more than occasionally funny. Set piece after set piece grows tiring even if you’re on board with the over-the-top nature of everything.

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A MISTAKE – Review by Nadine Whitney

New Zealand director Christine Jeffs returns to home soil for her medical drama A Mistake starring Elizabeth Banks as Liz Taylor, a skilled surgeon in a city hospital whose life and career are thrown into a downward spiral after a mistake is made in a surgery opens her up to unwarranted professional scrutiny. A Mistake isn’t helped by the fact much of the story is nonsense. A published list of surgeons’ mortality rates for “rankings” that anyone can have access to is a fantasy. A surgeon who had witnesses proving she did nothing wrong wouldn’t be suspended. Investigations need strong evidence of negligence before they are considered let alone undertaken. And, unless the hospital in which Liz works has approximately twelve patients or fewer, little else could account for the near silence of the environment.

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A MISTAKE – Review by Betsy Pickle

How do you respond to your mistake? Do you make excuses? Do you find a scapegoat? Do you take responsibility? These reactions are at the heart of A Mistake. Based on a novel by Carl Shuker, A Mistake is a universal story set in Auckland, New Zealand. Elizabeth Banks plays Elizabeth “Liz” Taylor, an unglamorous but supremely gifted surgeon who makes life-and-death decisions daily. Liz exudes strength and confidence, and she provides a calm presence for her team during her surgeries. When her patient dies, Liz’s worldview is shaken and she finds her life spiraling out of control.

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SKINCARE – Review by Justina Walford

Elizabeth Banks’ latest thriller, Skincare, is a fairly generic ride in the world of beauty and the shallow social pool of Los Angeles. The premise is mildly interesting: A driven and business-savvy aesthetician feels threatened by a rival who moves in across the courtyard from her salon. Her descent into madness while navigating a superficial world and cutthroat industry is shot in a 90s/00s retro way but set in the present day.

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MOVIE OF THE WEEK November 4, 2022: CALL JANE

Based on the true story of the Jane Collective, a group of young feminist activists who facilitated underground abortions in the Chicago area in the late 1960s and early ’70s, Phyllis Nagy’s heartfelt Call Jane illustrates, clearly and empathetically, why access to safe, affordable abortions is an essential aspect of female healthcare. The movie may take place 50-plus years ago, but in a world where the Supreme Court has overturned Roe v. Wade, the issue has never felt more timely.

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CALL JANE – Review by Loren King

As an accessible film with a solid lead performance, Call Jane is an important addition to the Janes’ story and a reminder of the power of collective action. It’s hard not to feel sorrow and anger when, at the end, the Janes celebrate Roe v. Wade and the dissolution of the group. But it’s also a call to action.

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CALL JANE – Review by Susan Wloszczyna

The timely abortion rights film Call Jane, directed by Phyllis Nagy, starts off in Chicago in 1968, as the city and the nation are teetering on the brink of violent political upheaval. We meet a well-off suburban housewife Joy Griffin (Elizabeth Banks, who is the stand-out in the cast) leads an ordinary life with her husband and tween daughter. But when Joy’s pregnancy leads to a life-threatening condition, she must navigate a medical establishment unwilling to help. She then finds learns about the “Janes,” an underground organization of women who provide Joy with a safer alternative — and in the process — changes her life.

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CALL JANE (Sundance FF 2022) – Review by Leslie Combemale

Call Jane is inspired by the work of the underground activist group Abortion Counseling Service of Women’s Liberationl. From 1968 to 1973, the group helped thousands of women to get pre-Roe V Wade abortions. Directed by Phillis Nagy, the film stars Elizabeth Banks as suburban housewife who becomes involved helping members of the organization, aka The Janes, after they helped her to end a life-threatening pregnancy.
Several documentaries and narratives have told the story of these women or used the organizaation as a backdrop, but Call Jane has the highest profile yet, featuring A-list talent that includes Banks, Sigourney Weaver, Chris Messina, Kate Mara, and Wunmi Mosaku.

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CALL JANE (Sundance FF 2022) – Review by Lauren Anderson

Call Jane tells the story of sisterhood among a group of women aptly called “The Janes.” They provided abortions at a time when an all-male Supreme Court forbade women from getting them legally. The film is set in the late 1960s, but the story couldn’t be more timely today with the Supreme Court considering rolling back what Roe v. Wade accomplished.

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WEEK IN WOMEN: Elizabeth Banks’ Live Action on THE MAGIC SCHOOL BUS – Brandy McDonnell reports

Elizabeth Banks is jumping on board Universal’s live-action adaptation of The Magic School Bus, and she will produce the movie as well as star as adventurous teacher Ms. Frizzle. Ryan Christians from Marc Platt Productions will oversee production with Sara Scott and Lexi Barta from Universal Pictures.

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