ELVIS – Review by Susan Granger

Don’t for a minute think this is a bio-pic. It isn’t. Luhrmann discarded historical accuracy in favor of a grotesque carnival of fictionalized glitz and glamour, tracing how Black singers B.B. King (Kelvin Harrison Jr.), Little Richard (Alton Mason), Sister Rosetta Tharpe (Yola Quartey), Arthur “Big Boy” Crudup (Gary Clark Jr.), Willie Mae “Big Mama” Thornton (Shonka Dukureh) and Mahalia Jackson (Cle Morgan) inspired Elvis.
The deliriously melodramatic story is told by promoter Col. Tom Parker (Tom Hanks), who first spotted Elvis (Austin Butler) in 1954 at the Louisiana Hayride, where the naïve, nervous singer with locomotive hips electrified the audience.

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ELVIS – Review by T.J. Callahan

Elvis is a sensational spectacle meant for the big screen. Even with a runtime of 2 1/2 hours, Luhrmann flashes Presley’s life before our eyes. He keeps things moving as fast as Elvis’ pelvis. Elvis Aaron Presley was unique and irreplaceable and this film shows us why, warts and all. It’s not always good to be The King.

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THE FAITHFUL: THE KING, THE POPE, THE PRINCESS – Review by Leslie Combemale

The Faithful: The King, The Pope, The Princess, Annie Berman’s look at worship, consumerism, and media representation through Elvis Presley, Pope John Paul II, and Diana, Princess of Wales, three famous figures who on the surface appear to be very different, but whom Berman suggests represent the intersection of worship and fandom.

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