EMA – Review by Maitland McDonagh

Chilean filmmaker Pablo Larrain’s psychological drama Ema revolves around a dancer whose icy, Hitchcock-blonde looks lie lightly over a selfish, troubled interior. Ema, who also teaches expressive movement classes to schoolchildren, and her husband, choreographer Gaston, twelve years her senior, adopted a six-year-old boy Polo and then returned him to the orphanage after the child set a series of fires.

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