DISCLOSURE DAY – Review by Susan Granger

With the release of his 35th movie, it’s obvious that Steven Spileberg is not just a good story-teller, he’s a GREAT story-teller. The suspenseful tale he spins this time is Disclosure Day about the U.S. government’s attempt to keep the truth about UFOs secret. Scripted by David Koepp from Steven Spielberg’s story, it revolves around a nefarious conspiracy, cloaked in sci-fi mystery, tracing back to E.T. and Close Encounters of a Third Kind. And it’s a timely topic since former President Obama said he believes aliens are real, prompting President Trump to accuse him of revealing “classified information.”

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DISCLOSURE DAY – Review by T.J. Callahan

Full “disclosure”, I didn’t understand exactly what was going on for the first half of the movie. Spielberg was so busy putting all his food for thought on the story board buffet, including an epic train scene that may have been added just to please the action fans, that it was difficult to navigate. Once the backstory was delivered in the second half, the classic Spielberg empathy came through and actually left the audience wanting more.

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DISCLOSURE DAY – Review by Leslie Combemale

This film fits well as a third cinematic statement from the director of Close Encounters and E.T., and offers eye-popping visuals and committed performances enough to make it well worthy of carrying the Steven Spielberg name. Though it’s a bit slow in getting started after an action-heavy first scene, the film has a decidedly 70s espionage on-the-run thriller sensibility. It builds suspense and action. There are very exciting set pieces. Also, even if you’re from Virginia where it’s the state bird, you’ll never look the same way at a cardinal.

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THE DEVIL WEARS PRADA 2 – Review by Susan Kamyab

Twenty years later Andy is an awarding winning journalist, who has just been let go from her publication, along with her fellow journalism colleges. She receives a life-changing phone call to return to Runway and become the magazine’s features editor in hopes of saving the company from financial struggles and the decline of print journalism. Things have changed since the last time Andy was here. These days, the things Miranda used to say to her employees are not appropriate anymore and she even has to hang her own coat. The Devil Wears Prada 2 is a luxurious theatrical joy.

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THE DEVIL WEARS PRADA 2 – Review by Leslie Combemale

The budget for The Devil Wears Prada 2 was significantly higher than the original 2006 film. Meryl Streep, beloved for her love-to-hate character Miranda Priestly, is quoted as saying, “on this one honey, they spent the money”. She’s right. Every dime shows up onscreen. From the opulent, sophisticated locations and sets to the gorgeous costumes and haut couture designs worn by a parade of star cameos, TDWP2 is serving SERVINGGG LEWKS. The eye candy is everywhere. Fans of the original will love this film for that alone, but they’ll also get a long awaited reintroduction to Miranda Priestly (La Streep), her ever-under appreciated right hand man Nigel Kipling (Stanley Tucci) and her erstwhile nemeses Andy Sachs (Anne Hathaway) and Emily Charlton (Emily Blunt).

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THE SMASHING MACHINE – Review by T.J. Callahan

Writer/director Benny Safdie deconstructs the sports/action biopic as we know it and turns UFC champ Mark Kerr’s life into the Wide Wide World of Sports. The thrill of victory and the agony of defeat is showcased in Safdie’s docudrama, The Smashing Machine. Safdie doesn’t sugarcoat anything. Every vein of Kerr’s story is popping with reality making viewers feel like flies on the ropes of the boxing ring.

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IF – Review by T.J. Callahan

IF was conceived by John Krasinski (of The Office fame) as a lasting reminder to his daughters that life doesn’t always have to be fun, but it shouldn’t stop us from trying. He also took on the roles of director and co-star as well as the task of amassing a who’s who of live and voiceover cast and crew including fellow Office mate Steve Carell as Blue, the big purple IF.

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THE FALL GUY – Review by Susan Granger

After their appearances on many TV talk shows, it’s obvious that Ryan Gosling and Emily Blunt are playful co-stars and had great fun filming their new action comedy The Fall Guy. So it’s too bad that the film kind of fizzles. Loosely based on a similarly titled TV series, it revolves around the trials and tribulations of movie stuntman Colt Seavers (Gosling), who has been working for years doubling for Hollywood superstar Tom Ryder, (Aaron Taylor-Johnson), who claims he does all his own death-defying stunts.

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THE FALL GUY – Review by T.J. Callahan

The Fall Guy is a movie about a big screen stuntman told from the eyes of a stuntman so everything is bigger, louder and more dangerous. It’s a movie within a movie within the making of a movie based on a TV show. If you can follow that, there’s a good chance you can keep up with this action-packed, tongue-in-cheek homage to the unsung heroes of film. Loosely based on the 1980’s Lee Majors television action series about stuntman Colt Seavers who moonlights as a bounty hunter, this Fall Guy puts pretty boy Ryan Gosling in the crosshairs of conspiracy as a down and out daredevil, fresh off an almost career-ending accident, now tasked with tracking down the missing movie star of his ex-girlfriend’s blockbuster film in order to save his own life.

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