A THOUSAND AND ONE – Review by Loren King

Motherhood and generational trauma are the complex, emotional layers grounding A Thousand and One, writer-director A.V. Rockwell’s gritty 1990s New York-set drama. The film is anchored by the unforgettable powerhouse performance from Teyana Taylor as Inez, a young woman whose swagger and defiant scowl mask a lifetime of neglect and pain. Rockwell and Taylor deliver authenticity in setting and characters mired in a cycle of poverty and marginalization from the film’s first scene when Inez is released from Riker’s Island and returns to the Harlem streets without a place to live.

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A THOUSAND AND ONE – Review by Liz Whittemore

Recently released from prison, Inez (Teyana Taylor) kidnaps her six-year-old son from foster care. She and Terry survive in hiding in NYC the best they can. Writer-director A. V. Rockwell takes us on a journey through New York City’s history, weaving in news reports about Mayor Rudy Guliani, law enforcement’s stop-and-frisk announcements, and the gentrification of Harlem. Meticulous era costuming from Melissa Vargas and Ky Johnson’s hair styling on Teyana Taylor gives the film a timeless authenticity. A Thousand and One is a gritty tribute to the mothers and sons who survive in New York City’s challenging landscape.

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A THOUSAND AND ONE – Review by Jennifer Merin

A Thousand and One, a compelling drama about a mother’s uncompromising love for her son. Teyana Taylor stars as Inez de la Paz who, newly released from incarceration on Riker’s Island for an unspecified minor infraction, locates her six year old son who’s been placed in foster care, kidnaps him and goes on the run with him, determined to provide him with a safe and love-filled home, and a good life.

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