DEADLY CUTS – Review by Carol Cling

How do you like to observe St. Patrick’s Day? Raising a pint of Guinness or a tipple of Tullamore D.E.W.? Reading W.B. Yeats’ revelatory poetry or James Joyce’s revolutionary prose? Perhaps you prefer a cinematic celebration of the Emerald Isle — the vintage charms of The Quiet Man, for example, or something along the lines of the current Oscar contender Belfast. If the latter titles are too polite to suit your mood, however, the boisterous shenanigans of Deadly Cuts offer a raucous alternative.

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