WOMEN MAKE FILM – Review by Diane Carson

In Women Make Film, writer/director Mark Cousins has shouldered a monumental task. First, he promises A New Road Movie Through Cinema by looking “at film through the eyes of women filmmakers.” Second, he’ll accomplish this in forty chapters, not devoted to directors’ lives, not chronologically organized, and not exploring ways women are different from male filmmakers, though that emerges implicitly.

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Filmmaker Marie Clements on RED SNOW – Marina Antunes interviews

Canadian artist Marie Clements’ career spans decades and includes acting, writing and directing in theatre, television and film. As a writer and filmmaker for screen media, she has worked in both scripted and unscripted entertainment and has developed the skills to tell nearly any story.

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Alice Waddington on PARADISE HILLS and DISCO INFERNO – Alexandra Heller-Nicholas interviews

Dazzling with an artistry that straddles a deep love of the past with a slick high-tech future, the feature debut Paradise Hills from Spanish filmmaker Alice Waddington is as fearless politically as it is stylistically. With a superstar cast featuring Emma Roberts, Awkwafina, Danielle Macdonald, Eiza González, and cult film icon Milla Jovovich, Paradise Hills is a masterclass in how feminism and femininity can coexist in profoundly engaging, meaningful ways.

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Women horror filmmakers at TIFF 2019 – Report by Alexandra Heller-Nicholas

As powerfully demonstrated at Toronto International Film Festival 2018 with movies including Emma Tammi’s crowd-pleaser The Wind and Carolina Hellsgård’s feminist zombie film Endzeit – Ever After, assumptions that horror is strictly a boys club are notably passé. This year’s iteration of TIFF (5 – 15 September) presents further proof that women filmmakers are a force to be reckoned with when it comes things that go bump in the night.

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SPOTLIGHT August 2019: Carol Whiteman, Feminist Film Advocate, Activist, President of Women in the Directors Chair

In Canadian women’s filmmaker circles, mention of Carol Whiteman’s name is cause for applause. As President of the non-profit Women in the Director’s Chair, Whiteman can be credited with mentoring more than 250 women directors through the arduous process of making their first films — from concept to premiere. Any female filmmaker who is working in Canada or has aspirations to do so ought to have Whiteman’s name on her must meet list.

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SPOTLIGHT July 2019: Andrea Arnold, Feminist Film Director, BIG LITTLE LIES

Andrea Arnold’s career shows what a woman filmmaker’s ‘can do spirit’ can do. The career path she’s created for herself has brought her from the difficult circumstances of a child raised in a single parent home in the environs of a working class ‘estate’ in suburban London to the coveted and exalted position of series director for a highly acclaimed and high ranking television series. Along the way, she’s won an Oscar and become an OBE, and accrued numerous other awards and honors for her femme-centric films. Arnold’s filmography is stunning in its inventiveness and variety, but it is her exceptional leadership as director of HBO’S Big Little Lies Season Two, which began airing in June that puts her in AWFJ’s July SPOTLIGHT.

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Bentonville FF: Karen Day on BAMBOO AND BARBED WIRE -Betsy Bozdech interviews

Karen Day has done everything from war-zone reporting in Afghanistan, Iraq, Rwanda, and more to co-authoring a book (Seal: The Unspoken Sacrifice) to raising four children. She turned her attention to feature filmmaking with 2014’s Girl from God’s Country — a documentary about pioneering female filmmaker Nell Shipman. Now, with Bamboo and Barbed Wire, she explores the parallels between Japanese American internment during World War II and our current political climate and attitude toward refugees

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