Female Filmmakers at SXSW 2021 Preview – Valerie Kalfrin reports

Although the ongoing coronavirus pandemic prevents filmmakers and audiences from gathering in person, SXSW Online spotlights 75 feature films, including about 40 from women directors. Its special events include a keynote address from political leader and bestselling author Stacey Abrams in conversation with bestselling author N.K. Jemisin. The online pivot revives the film, tech, and music festival, which shuttered its doors in 2020 for the first time in 34 years because of health concerns about COVID-19. This year’s lineup promises a “fantastic treasure trove of programming … that everyone can access on their laptops, phones, and TVs,” Janet Pierson, the festival’s director of film, has said.

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Whistler Film Festival Filmmaker Interview: Janice Mingas on WHEN THE NIGHT COMES

When The Night Has Come sheds light on the dangerous reality of systemic racism and police brutality. It tells the story of Matt, a young Black man whose life is forever changed after he is stopped by the police for an identity check. The film is particularly timely.

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WOMEN MAKE FILM – Review by Diane Carson

In Women Make Film, writer/director Mark Cousins has shouldered a monumental task. First, he promises A New Road Movie Through Cinema by looking “at film through the eyes of women filmmakers.” Second, he’ll accomplish this in forty chapters, not devoted to directors’ lives, not chronologically organized, and not exploring ways women are different from male filmmakers, though that emerges implicitly.

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Filmmaker Marie Clements on RED SNOW – Marina Antunes interviews

Canadian artist Marie Clements’ career spans decades and includes acting, writing and directing in theatre, television and film. As a writer and filmmaker for screen media, she has worked in both scripted and unscripted entertainment and has developed the skills to tell nearly any story.

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Alice Waddington on PARADISE HILLS and DISCO INFERNO – Alexandra Heller-Nicholas interviews

Dazzling with an artistry that straddles a deep love of the past with a slick high-tech future, the feature debut Paradise Hills from Spanish filmmaker Alice Waddington is as fearless politically as it is stylistically. With a superstar cast featuring Emma Roberts, Awkwafina, Danielle Macdonald, Eiza González, and cult film icon Milla Jovovich, Paradise Hills is a masterclass in how feminism and femininity can coexist in profoundly engaging, meaningful ways.

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Women horror filmmakers at TIFF 2019 – Report by Alexandra Heller-Nicholas

As powerfully demonstrated at Toronto International Film Festival 2018 with movies including Emma Tammi’s crowd-pleaser The Wind and Carolina Hellsgård’s feminist zombie film Endzeit – Ever After, assumptions that horror is strictly a boys club are notably passé. This year’s iteration of TIFF (5 – 15 September) presents further proof that women filmmakers are a force to be reckoned with when it comes things that go bump in the night.

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SPOTLIGHT August 2019: Carol Whiteman, Feminist Film Advocate, Activist, President of Women in the Directors Chair

In Canadian women’s filmmaker circles, mention of Carol Whiteman’s name is cause for applause. As President of the non-profit Women in the Director’s Chair, Whiteman can be credited with mentoring more than 250 women directors through the arduous process of making their first films — from concept to premiere. Any female filmmaker who is working in Canada or has aspirations to do so ought to have Whiteman’s name on her must meet list.

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