MAKING MARIE ANTOINETTE (Telluride FF 2026) – Review by Diane Carson

Already celebrated for her dazzling, incisive Hearts of Darkness: A Filmmaker’s Apocalypse (1991) documenting the filmmaking trials of husband Francis Ford Coppola’s Apocalypse Now, Eleanor Coppola’s Making Marie Antoinette (2026) confirms and enhances her reputation as an accomplished filmmaker in her own right. Early in the documentary, in excerpts from her journal spoken by Diane Lane, Eleanor acknowledges that she much prefers to stand back and observe, that “it is against my personality to shoot a documentary, and yet I continue to do so.”

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MEGALOPOLIS – Review by Susan Granger

Francis Ford Coppola’s passion project Megalopolis is a futuristic fable about the downfall of the American Empire. The 85 year-old auteur envisioned the dystopian concept 40 years ago, writing, revising and re-casting it, spending $120 million to make it, using funds he’d made from Apocalypse Now, The Godfather, etc. and his California wine business. Archaic references to the fall of Rome are everywhere, along with Shakespearean dialogue, peppered with quotes from Greek/Roman/Sapphic poets. Adam Driver even delivers Hamlet’s famous “To be or not to be…” soliloquy in its entirety.

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