Female Film Critics 24/375
Starting its second season, AMC’s Western series Dark Winds is a pulpy procedural drama set in New Mexico’s Navajo Nation during the early 1970s.
Based on two of Tony Hillerman’s best-selling novels – Listening Woman and People of Darkness – it revolves around laconic tribal police officer Joe Leaphorn, played by veteran character actor Zahn McClaron (Reservation Dogs), who is actually Lakota on his mother’s side.
This film is barbaric, black and white and bloody. It’s vicious Viking vengeance that very well could make you vomit. The Northman is brutal on many levels with one being it’s 2 hour and 16 minute run time. There’s pillaging, conjuring, screaming, grunting and howling like wolves. The Northman is a turn of the 10th century soap opera that was expertly and artfully filmed for the big screen and will have fans of the medieval genre on the edge of their seats cheering. As for me, when the heads rolled, so did my eyes.
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If you like brawling, bloody brutality, head for The Northman, Robert Eggers’ intense Nordic nightmare. Eggers’ previous films – The Witch (2015) and The Lighthouse (2019) – blurred the boundary between fantasy and reality, so it’s not surprising that this Viking revenge saga follows suit. The dialogue is banal – apparently, Vikings weren’t very articulate – so Eggers and his DP Jarin Blaschke concentrate on violent, medieval mayhem.
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