US – Review by Brandy McDonnell

The brilliant writer-director deftly avoids the dreaded sophomore slump following his socially conscious 2017 Oscar-winning blockbuster “Get Out,” for which he became first African-American screenwriter to win the Academy Award for best original screenplay, by crafting an even more ambitious, frightening and twisty thriller.

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GET OUT — Review by Martha K. Baker

Jordan Peele wrote and directed “Get Out” with a black man’s humor, understanding, blood, and brains. The result is a film unlike any other and yet quoting many others. Peele honors the horror film with parody and politics. It’s a scary, funny, bloody ballet on point. Anyone who watched Peele with Keegan-Michael Key on their sketch comedy show knows that Peele has talent. But could Peele stretch a sketch into a full-length feature film? Yes. Yes, he could. Peele transcends television.

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