SPOTLIGHT March 2026: Autumn Durald Arkapaw, Cinematographer Supreme, SINNERS

First after first, award after award, Autumn Durald Arkapaw has shown she is artistically up to the task for any genre or project. Her career offers great inspiration for women, especially women of color, who feel passionately about cinematography, or really any below the line career. In an interview with Variety, she said, “It means the world when young girls, or film students of similar heritage, come up to me and express their gratitude, not just for the work, but for the fact that they can see someone like themselves behind the camera”.

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THE LAST SHOWGIRL – Review by Diane Carson

The Last Showgirl follows the fading fortunes of a Las Vegas star, Those who still associate Pamela Anderson with Baywatch, and discount her talent, have a surprise treat in store with director Gia Coppola’s The Last Showgirl. In it, she plays the aging rhinestone-and-feathers dancer Kelly, a Las Vegas star with her thirty-year career about to end when the hotel/casino unexpectedly decides to cancel her show, Le Razzle Dazzle. Kelly’s already struggling emotionally with her teenage daughter Shelly’s reappearance, ageism, and women’s exploitation. As Shelly, Billie Lourd incorporated memories from her grandmother Debbie Reynold’s Las Vegas shows and her mother Carrie Fisher’s experiences.

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MOVIE OF THE WEEK December 13, 2024: THE LAST SHOWGIRL

She’s been working pretty steadily since she first hung up her red swimsuit after Baywatch aired its last episode in the late 1990s, but with director Gia Coppola’s The Last Showgirl, Pamela Anderson may have finally found the role that will put the image of her running down a beach in slow-mo to rest once and for all. She’s unforgettably vulnerable as Shelly, an aging Las Vegas dancer whose life is thrown into turmoil when her long-running burlesque show closes.

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THE LAST SHOWGIRL – Review by Loren King

Who would have thought that one of the most revelatory and moving movies about entertainment, women and aging would come courtesy of Pamela Anderson and director Gia Coppola? The Last Showgirl combines grit and glitz as it pulls back the curtain on a fading Las Vegas act called “Le Razzle Dazzle,” a “Follies”-like extravaganza (based on the Jubilee, the last show of its kind in Vegas that closed in 2016 after 35 years) featuring scantily clad chorus girls in giant headdresses. Coppola turns The Last Showgirl into an elegy for entertainment past and for women who paid their dues and refuse to go gently.

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Middleburg FF 2024 Female Focus Wrap – Leslie Combemale reports

The Middleburg Film Festival is one fest that has leaned into its support for female filmmakers from its inception 12 years ago. It has always not only premiered and featured a wide variety of female-helmed documentaries and narrative features from all over the world, it has also made sure to invite those filmmakers to the fest for panels and Q&As, so that fans, film lovers, and press can learn what inspired them and their unique process for their projects. 2024 is no different in terms of highlighting female filmmakers and craftspeople, although this year there were more filmmakers and below the line artists in residence than ever before.

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THE LAST SHOWGIRL (TIFF 2024) – Review by Rachel West

Gia Coppola give Pamela Anderson the best role she’s ever had in The Last Showgirl. Like Shelley, Anderson hasn’t been taken seriously as an actress or in her personal life, and here, she gets to prove decades of her critics wrong. It is a heartbreaking story to watch but Shelley remains optimistic throughout, even in the face of despair. She retains an idealized and romanticised vision associated with old Vegas that cinematographer Autumn Durald Arkapaw captures so brilliantly.

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TIFF 2024: Female Filmmaker Preview – Rachel West reports

Of the 278 films playing at TIFF in 2024, according to our calculations, approximately 25% are directed or co-directed by women – a number down from the festival’s all-time high of 45% women-directed films in the pandemic-era 2020 online-only festival. Women-helmed films comprised 36% of the festival lineup in 2019 and 2023. Though TIFF may have to make leaps and bounds to reach gender parity, there are still a number of women-helmed films directed by cinematic stalwarts, up-and-comers, and award winners scheduled to hit the screen at the 2024 festival. With more than 65 films, series, and shorts directed by women, there are many opportunities to take in female-helmed films this festival, which runs September 5th through 15th.

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THE SEVEN FACES OF JANE – Review by Rachel West

In The Seven Faces of Jane, eight directors and eleven screenwriters tell a story about the titular Jane (Gillian Jacobs) as she goes about the course of her week after dropping her young daughter off at camp. The catch is that each of the filmmakers has imagined an entirely different day – and different Jane – to tell their story, not knowing what events come before or after their chapter. Though an innovative and interesting approach, the results are a confusing mishmash that doesn’t quite work to tell a coherent story.

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WEEK IN WOMEN: Gia Coppola’s Sophomore Directorial Project is MAINSTREAM – Brandy McDonnell reports

Filmmaker Gia Coppola will follow her acclaimed directorial debut, the 2013 drama Palo Alto, with Mainstream, a drama which she is slated to direct and co-write (with Tom Stuart). Mainstream, expected to begin filming by the end of the year, will star Andrew Garfield, Maya Hawke, Nat Wolff and Coppola’s cousin Jason Schwartzman.

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