WEEK IN WOMEN: Oscar Noms Lack Diversity, Snub Female Directors – Brandy McDonnell reports

The Academy of Motion Picture Arts and Sciences has faced widespread criticism for the dearth of diversity among the top nominees as well as the exclusion female filmmakers at its upcoming 92nd Annual Academy Awards to be held February 9.

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LITTLE WOMEN – Review by Brandy McDonnell

Beloved by generations of female readers, Alcott’s tale of four sisters growing up in genteel poverty in 1860s Massachusetts remains one of the few American literary classics penned by a woman. Published in two volumes in 1868 and 1869, it unfurled the lives of the March girls in chronological order, starting with their teen years into their becoming “Little Women.”

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LITTLE WOMEN (2019) – Review by MaryAnn Johanson

Did we need another film version of Louisa May Alcott’s classic novel? Turns out the answer is a resounding “Hell, yes!” Writer-director Greta Gerwig has given us an absolute treasure of a movie, one that is, for a wonder, hugely faithful to the book in the broad sweep yet also skeptical of it in just the right way.

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LITTLE WOMEN – Review by Susan Granger

Since Greta Gerwig’s Ladybird was one of my 2017 favorites, I had high hopes for her version of Louisa Mae Alcott’s classic story, but she butchers it! Rather than relate it chronologically, Gerwig shuffles, subverts and skips pivotal scenes, except for the opening Christmas letter from Father and the wryly romantic conclusion.

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TIFF 2017: Of Evil Mothers, Courageous Women and Oscars Buzz!– Julide Tanriverdi reports

Actresses showed impressive range in a variety of roles at this year’s TIFF. Sure, people were talking about the incredible

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