LATE FAME – Review by Valerie Kalfrin

Late Fame is not so much about a frustrated artist but about someone who, having enjoyed fame once, wonders later in life if he really wants such attention again.

Directed by Kent Jones (Diane), this lived-in New York story stars an understated Willem Dafoe (The Phoenician Scheme) as Ed Saxberger, a bohemian poet of the 1970s now sorting mail as a postal worker. Saxberger lives alone in a modest apartment of bookshelves and cassette tapes of poetry, but mostly, he’s content to shoot pool and joke around with other guys at a neighborhood bar where the female barkeep without asking sets out his favorite sandwich.

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THE LAST HOUSE – Review by Susan Granger

Horror has always been one of the most popular genres, beginning with Dracula and Frankenstein in the 1930s and German Expressionist films like Nosferatu in the silent era. Traditionally, ‘horror’ features a monster, perhaps supernatural, while the subgenre of ‘psychological horror’ gradually builds tension by focusing on the mental, emotional and physical states of its characters. The Last House encompasses both, opening with Arthur C. Clarke’s quote: “How inappropriate to call this planet Earth when it is clearly Ocean,”

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A HOUSE OF DYNAMITE – Review by Valerie Kalfrin

The lunacy out of Washington, DC, on any given day can overshadow the men and women who watch the skies in remote bases and secure spaces, monitoring our nation’s defenses around the clock. A House of Dynamite is a potent reminder. Now streaming on Netflix, this political thriller races through what happens after a missile arcs toward the United States, leaving just precious minutes to determine how to respond. It’s an intense and draining watch—and a larger existential story about the senselessness of it all.

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TRON: ARES – Review by Diane Carson

Director Joachim Rønning’s Tron: Ares comes roaring, literally in ear-piercing sound, to reverse the original Tron and first sequelTron: Legacy concept. Instead of game creator Kevin Flynn (Jeff Bridges) becoming trapped in the digitized Grid, racing to escape on the coolest of motorcycles, what if that A.I. world invaded the reality its designers, that is, what if “we’re not going there, they’re coming here.”

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LATE FAME (NYFF 2025) – Review by Diane Carson

A thoughtful consideration of, as the title signals, Late Fame post office mail sorter Ed Saxberger wrote an ignored, small book of poetry, Way Past Go, years ago. Prompted by its dominant member Meyers, an arrogant, pretentious group calling itself the Enthusiasm Society discover Saxberger’s poetry and become fawning fans, though it becomes obvious several have not bothered to read the book. Approached out of the blue, flattered, Ed is eventually persuaded to attend the group’s meeting, drinking, and self-congratulatory get togethers. As Saxberger, Willem Dafoe transitions flawlessly from cautious and suspicious—at first thinking the attention is a prank—to enjoying the adulation, until he doesn’t.

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THE STUDIO – Review by Susan Granger

Ever wanted to sneak behind-closed-doors and see what propels the Hollywood Dream Machine? That’s what happens in the cameo-cluttered, 10-episode satire The Studio, skewering the perennial Art-vs-Commerce dilemma. When delusional dreamer Matt Remick (co-creator Seth Rogen) becomes the head of Continental Studios , he’s told by CEO Griffin Mill (Bryan Cranston) that his job is to make IP-driven movies that will succeed at the box-office, not “artsy-fartsy films.” Problem is: pretentious cinephile Matt thinks he can do both

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Celine Song on PAST LIVES: Switching from Theater to Film – Wendy Mitchell Interviews

Celine Song’s first day of shooting her debut feature was not the warmest welcome to her new career. The experienced playwright and theatre director was shooting a boat scene, cruising past the Statue of Liberty forPast Lives, but there was a record-setting storm in New York City. “I’ve never been on a film set before, and I show up on this set and it’s raining so hard you can’t see in front of your face,” Song says. “We’d had this really productive prep and we were feeling very prepared.” But they had not quite envisaged a storm of epic proportions. The crew and producers assured her it would clear — and, she reveals, “It did clear up and it was amazing.”

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Greta Lee and Celine Song talk PAST LIVES – Jennifer Green reports

For a film about the deep connections we have with others and how destiny shapes which relationships come and go in our lives, it would seem appropriate that the talents behind the film also share deep bonds. In fact, Past Lives writer-director Celine Song says she’s convinced she was married to actress Greta Lee in a past life. That’s the kind of connection the two forged working on one of this year’s standout films, now widely considered a top contender for recognition this awards season. Song and Lee shared details of their work, and the meaningful on- and off-camera relationships behind their poignant film.

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WEEK IN WOMEN: Aniston/Witherspoon’s MORNING SHOW sets Season Three Premiere – Brandy McDonnell reports

Apple TV+ will premiere next month the highly anticipated third season of The Morning Show, starring and executive produced by Jennifer Aniston and Reese Witherspoon. In Season 3, the future of the network is thrown into question and loyalties are pushed to the brink when a tech titan takes an interest in UBA. Unexpected alliances form, private truths are weaponized, and everyone is forced to confront their core values both in and out of the newsroom. The Emmy-, SAG- and Critics Choice Award-winning drama, which has already received an early renewal for Season 4, is directed and executive produced by Mimi Leder.

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PAST LIVES – Review by Jennifer Green

If you’ve read anything about Past Lives, you’ve likely heard about the love story at the film’s core or the Korean fate-oriented concept of In-Yun that is woven throughout the tale. The film, which premiered at Sundance and competed in Berlin in 2023, is indeed a quietly powerful story of friendship, love and the winding paths our lives can take. But it is also a story about immigration, of straddling two cultures, and a meditation on the rewards and losses of making more than one country home.

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