MARTYRS LANE (Fantasia 2021) – Review by Alexandra Heller-Nicholas

While on one level this is a ghost story about a child who fears her mother does not love her, it is more broadly a vision of a nightmare world where adults are unable to speak openly and honestly with children – and the consequences are chilling. Passionately rejecting the far-too-common tendency to reduce children to ciphers for innocence or symbolic tools in the telling of stories about adults, in Martyrs Lane Ruth Platt pulls back the curtain into the complexity and sophistication of the childhood experience with breathtaking imagination, extraordinary filmmaking, and a heartfelt, sincere respect for children themselves.

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CARMILLA – Review by Alexandra Heller-Nicholas

Born in the pages of Sheridan Le Fanu’s 1871 novella Carmilla, the iconic lesbian vampire that grants his tale its title has had a rich, complex and enduring life on screen that shows little sign of losing its appeal to both audiences and filmmakers. The most recent version is Emily Harris’, whose canny reimagining shifts many of the superfluous male characters in the original to the background.

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