A REAL PAIN – Review by Susan Granger

The story of Jesse Eisenberg’s A Real Pain follows two estranged Jewish cousins – cautious, pragmatic David (Jesse Eisenberg) and unpredictable, free-spirited Benji Kaplan (Kieran Culkin) – who reunite for a Holocaust tour through Poland to honor their late, beloved Grandma Dory whose childhood home they’re planning to visit. Their travelling companions include wistful Los Angeles divorcee Marcia (Jennifer Grey), a stolidly boring older couple – Diana (Liza Sadovy) and Mark (Daniel Oreskes) from Shaker Heights – and soft-spoken, compassionate Eloge (Kurt Egyiawan) who fled the Rwandan genocide and later converted to Judaism. The itinerary takes them to a number of picturesque stops in Warsaw and Lublin with a somber visit to the Majdanek concentration and extermination camp.

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A REAL PAIN – Review by T.J. Callahan

A Real Pain is a Jewish history lesson complete with all the eccentricities and endearments. Jesse Eisenberg writes and directs as well as stars in the road-trip dramedy. He’s the perfect nebbish to Keiran Culkin’s shmegegge. Culkin really put himself back on the map with HBO’s Succession and he is at the top of his game now. Eisenberg is subtle perfection. Always able to make his acting look effortless.

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A REAL PAIN – Review by Diane Carson

A Real Pain combines comedy with weighty issues. When considered merely escapist amusement, some comedies do not receive the credit they deserve for integrating serious commentary into an enjoyable film. For many fine comedies resonate with weighty subtexts, as Jesse Eisenberg proves in A Real Pain. Director, screenwriter and star, Eisenberg has a keen eye for effective compositions and a knack for witty banter.

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A REAL PAIN – Review by Susan Kamyab

A Real Pain follows opposite cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when tensions between the two resurface. The pain both characters are going through impressively speaks louder from their actions and sometimes silence, more so than any words they express to each other. A Real Pain is a sincere and thought-provoking, emotional journey that is elevated by the film’s beautiful and unforgettable performances. It’s a rare gem that will stay with you all year.

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MOVIE OF THE WEEK May 31, 2024: THE COMMANDANT’S SHADOW

At a time when some U.S. public schools are shutting down lesson plans that run the risk of making White American children feel bad about the country’s history of enslavement and oppression, The Commandant’s Shadow is an especially timely reminder of the dangers of willfully turning a blind eye to history. Daniela Volker’s documentary about coming to terms with both personal and societal legacies is a compelling addition to the catalog of films about World War II and the Holocaust.

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THE COMMANDANT’S SHADOW – Review by Loren King

By focusing on the specific stories of several individuals, director Daniela Volker’s The Commandant’s Shadow explores universal issues about generational trauma related to the Holocaust. It’s a moving and profound journey that we take with the son, daughter, and grandson of notorious Auschwitz commander Rudolf Hoss, the Nazi responsible for the systematic murder of millions and the subject of Jonathan Glazer’s Oscar-winning film The Zone of Interest.

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NICKY’S FAMILY – Retroview by Jennifer Merin

Just before the outbreak of World War II, an unassuming English businessman named Nicholas Winton traveled to Czechoslovakia and witnessed conditions that compelled him to organize the transport of 669 Czech and Slovak children — many of them Jewish — from their homeland to the safety of England. With careful planning and tremendous courage, he rescued them from suffering and death at the hands of Nazi invaders who eventually killed many of the children’s parents, siblings and extended family members.

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THE ZONE OF INTEREST – Review by Susan Granger

How do you choose what movie to watch? Most people want to be entertained. Others want to be educated. British filmmaker Jonathan Glazer’s harrowing Holocaust drama The Zone of Interest – recipient of five Academy Award nominations, including Best Picture and Best Director – falls into the latter category. Loosely adapted from Martin Amis’ 2014 novel, it follows the seemingly mundane lives of Auschwitz Commandant Rudolf Hoss (Christian Friedl), his wife Hedwig (Sandra Huller) and their children who dwell in a comfortable home that’s adjacent to the notorious concentration camp in Western Poland.

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THE ZONE OF INTEREST – Review by Liz Braun

The Zone of Interest is a film centered on the domestic life of Rudolf Höss, commandant of Auschwitz. This is a timely and terrifying film directed (and co-written) by Jonathan Glazer, and loosely based on the novel by Martin Amis. It is beautifully made, profoundly unsettling, and it is rightfully heralded as one of the most important films of the year. The story looks at the daily lives of Höss (Christian Friedel) and his wife Hedwig (Sandra Huller), who are raising their children in a lovely villa right beside the camp — an idyllic setting with a beautiful garden and a river nearby where the children swim. The chimneys belching black smoke day and night are just a little thing in one’s peripheral vision. There is no arm’s-length remove provided here by either history or movie-making, and for the viewer, psychologically speaking, there’s nowhere to hide.

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THE ZONE OF INTEREST – Review by Maitland McDonagh

Both sensitive and slyly ambitious Rudolf Hoss (Christian Friedel) and his wife, Hedwig (Sandra Huller), thrive on order and for the former, that’s an ideal qualification for military life. Rudolf quickly rises through the ranks, while Hedwig dedicates herself to being a wife and mother to the two children she quickly bears, Hans and Inge… yes, one girl and one boy, a child to replace each parent. Hedwig keeps an impeccable house, cultivates an impressive garden in which both flowers and vegetables thrive and raising Hans and Inge. Their lovely house would shine in the most competitive American suburb, their dog is adorable… and they radiate an unspoken but clearly shared belief in their own perfection: One that’s based on fulfilling an almost comical ideal of partnership, parenthood and division of labor while the crematorium visible over their back wall is converting enormous numbers of other people into greasy smoke and ashes.

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