SHEEP DETECTIVES – Review by Susan Granger

Sheep Detectives is spring’s most welcome surprise! Hugh Jackman’s live-action whodunit is a family-friendly, comedic adaptation of Leonie Swann’s best-selling 2005 German novel Three Bags Full. The opening credits deliver the first hint of delight – as a plaintive barnyard “Baaa” replaces the traditional roar of the MGM lion.
Set in rural England, the story begins with George Hardy (Jackman), a gentle shepherd who not only feeds, shears and tends to his wooly flock but also reads mystery novels aloud to them at bedtime, unaware that they’re actually listening. Then – egad! – late one night, George is murdered.

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THE SHEEP DETECTIVES – Review by Valerie Kalfrin

The family-friendly whodunit The Sheep Detectives is no mere Sherlock Hooves. This clever yarn about sheep who nose into their shepherd’s death becomes a surprisingly tender meditation on grief and how we keep memories of loved ones alive. While its mystery isn’t as knotty as one of Agatha Christie’s (or Rian Johnson’s, for that matter), The Sheep Detectives weaves a warm spell. With its amiable humor, an appropriate comeuppance, and well-earned teary moments, it’s a shear delight.

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THE SHEEP DETECTIVES – Review by T.J. Callahan

The Sheep Detectives is a mystery comedy directed by Kyle Balda (Minions), written by Craig Mazin (The Last of Us) and adapted from the novel Three Bags Full by Leonie Swann. The PG rated family film also boasts a large ensemble cast including Emma Thompson, Bryan Cranston, Regina Hall, Julia Louis-Dreyfus, Patrick Stewart and Hong Chau. Some are live and some are voice actors. That’s because The Sheep Detectives is a cross between Knives Out and Babe with a puzzle within a puzzle.

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WEEK IN WOMEN: Fennell’s WUTHERING HEIGHTS opens for Valentine’s day – Brandy McDonnell reports

Billed as a bold and original imagining of one of the greatest love stories of all time, Emerald Fennell’s Wuthering Heights stars Margot Robbie as Cathy and Jacob Elordi as Heathcliff, whose forbidden passion for one another turns from romantic to intoxicating in an epic tale of lust, love and madness. Fennell directs from her own screenplay based on the famed 1847 novel by Emily Brontë.

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THE INSTIGATORS – Review by Susan Granger

Friends since their Cambridge, Massachusetts, childhood, Matt Damon and Casey Affleck (younger brother of Ben – with whom Damon wrote Good Will Hunting) went back to their native Boston to film this wannabe action-comedy caper. Desperate Rory (Damon) is a divorced, debt-ridden ex-Marine who’s so depressed because he can’t come up with the $32,480 he owes in legal fees and child support for his teenage son that his VA psychiatrist, Dr. Donna Rivera (Hong Chau), fears he might be a suicide risk.

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THE INSTIGATORS – Review by T. J. Callahan

The Instigators reunites Matt Damon with the Affleck brothers, Casey as a co-star and Ben as producer, in this heist comedy set in their hometown of Boston where the accents are as thick as the bumbling criminals trying to stay one step ahead of the law. Damon is an ex-Marine, a divorced dad wanting to do right by his son. Casey is a wayward ex-con with a drinking problem. The two are thrown together as part of an inept Ocean’s Eleven tasked with robbing the city’s corrupt mayor. When the caper collapses, the would-be thieves find themselves on the run from not only the police, but the profiteering politician’s henchmen.

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KINDS OF KINDNESS – Review by Susan Granger

Call me a philistine but I wouldn’t wish having to watch Yorgos Lanthimos’ dreadful 165-minute Kinds of Kindness dirge on my worst enemy! After intriguing audiences with Poor Things (2023) and The Favourite (2018), which were – at least – comprehensible, Greek ‘auteur’ Lanthimos reunites with his co-screenwriter Efthimis Filippou to create a trilogy of bizarre, almost incoherent cinematic ‘essays’ exploring themes of dominance/control, faith and love.

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SHOWING UP – Review by Susan Kamyab

It’s great seeing Michelle Williams’ versatility, and she continues to prove she can play any role. This particular role just isn’t very memorable. Director Kelly Reichardt’s intention was to show a “funny portrait of art and craft.” Sadly, there’s not much humor or plot to Showing Up. The art is there, and it’s quite unique. But, none of the movie’s minor redeeming qualities can make up for the underwhelming character’s or story’s lack of intrigue.

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THE WHALE – Review by Martha K Baker

The Whale is not what you think. Yes, The Whale is the tale of a morbidly obese man, but it is so much more. Significantly, The Whale is about words and writing, teaching and fathering, eating and essaying. The film is a tight and poignant homage to friendship and love with words ebbing like waves on the shore.

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THE WHALE – Review by Susan Granger

Brendan Fraser delivers a remarkable performance in the title role of Darren Aronofsky’s The Whale, adapted from his play by Samuel D. Hunter. Before we even glimpse his gigantic, 600-pound frame, we hear his gentle voice, teaching an English literature class on-line. Encased in a latex suit with digital prosthetics, designed by Adrien Morot, Fraser’s portrayal is inevitably minimalist, a choice that exudes pathos, even when he’s gobbling greasy pizza or devouring a bucket of fried chicken.

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