BEN’IMANA (Cannes 2026) – Review by Diane Carson
In Ben’Imana, Rwandan writer/director Marié-Clémentine Dusabejambo integrates the personal with the political to gain specificity for a collective trauma. The title Ben’Imana means “the children of God,” signifying that the Hutus and Tutsis shared their language and culture, a paired community until the tragic 1994 Tutsi genocide at the hands of the Hutu militia massacre. Now, in 2012, reconciliation proceeds through public trials. With hopes that forgiveness will help heal the legacy of the massacre of up to a million people,
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