ZOOTOPIA 2 – Review by Valerie Kalfrin

Almost ten years after the original Zootopia tackled prejudice and racial profiling in an animated Disney package, Zootopia 2 loses none of its guts or its bite. Again tackling heady themes within a shady land-grab conspiracy right at home in Chinatown, Zootopia 2 still brings all the fun, fur, and feels. As with the 2016 film, the marvel of Zootopia 2 is how it holds together so well, serving up lessons about tolerance and inclusivity without being clumsy or heavy-handed.

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A HOUSE OF DYNAMITE – Review by Valerie Kalfrin

The lunacy out of Washington, DC, on any given day can overshadow the men and women who watch the skies in remote bases and secure spaces, monitoring our nation’s defenses around the clock. A House of Dynamite is a potent reminder. Now streaming on Netflix, this political thriller races through what happens after a missile arcs toward the United States, leaving just precious minutes to determine how to respond. It’s an intense and draining watch—and a larger existential story about the senselessness of it all.

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HEADS OF STATE – Review by Susan Granger

Without a big budget or bankable stars, Heads of State manages to be a remarkably entertaining action/buddy comedy. It’s predictably directed by Ilya Naishuller who relies on the energetic ability of John Cena and Idris Elbeto glibly bicker-and-banter their way through one dire, diverting dilemma after another.

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HIJACK – Review by Diane Carson

Hijack feeds that adrenaline rush of events unfolding in real time, this one over seven hours. There’s no ticking clock, but time is of the essence after Kingdom Flight KA29 leaves Dubai for London. Within minutes, several hijackers—men and one woman—take control of the plane. it doesn’t take long to establish that on the aircraft and on the ground in London, these terrorists will murder without hesitation. The stakes are astronomical, literally life and death for two hundred plus passengers. Idris Elba elevates the intensity as he charismatically commands the camera.

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EXTRACTION 2 – Review by Susan Granger

If you’re into brainless, mucho macho mayhem, Extraction 2 is 85% action, 15% narrative – meaning there’s lots of fighting, particularly hand-to-hand combat, even though it’s never clear how these ‘ordinary’ Eastern European men can take that much physical punishment and maintain their ruthless bravado. Australian black ops mercenary Tyler Rake (Chris Hemsworth) is still recovering from his previous mission. Reuniting with director/stuntman Sam Hargrave, he embarks on this sequel, tracing its origins to Ande Parks’ graphic novel “Ciudad” from a story by Parks, Joe & Anthony Russo.

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EXTRACTION 2 – Review by Nadine Whitney

Director Sam Hargrave ups the ante in his sequel in every possible manner. The close and hand to hand combat is superbly choreographed and the big action beats are meatier than the first. Extraction had a famous long take one-shot and Hargrave goes one better by having at least two (if not more) with one involving a spectacular car chase. The bombast of the action scenes is admirable, and Nik finally gets her time to shine as an action heroine in her own right.

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THREE THOUSAND YEARS OF LONGING – Review by Martha K Baker

It is a maxim of good writing to show rather tell. That rule applies especially to telling stories. But what about a movie based on the art of story-telling? A movie is all about showing — after all, it’s called “show” business. Breaking this rule causes Three Thousand Years of Longing to be sadly mediocre.

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THREE THOUSAND YEARS OF LONGING – Review by Susan Granger

George Miller’s Three Thousand Years of Longing delves into the thought-provoking power of fantasy and storytelling. Adapted from The Djinn and the Nightingale’s Eye, it’s scripted as a cautionary tale by director George Miller and his daughter, Augusta Gore, with exquisite vignettes, exploring themes of fate, loneliness and the universal desire for connection. With superb comedic timing, Tilda Swinton and Idris Elba play off each other perfectly.

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BEAST – Review by Susan Granger

If you’ve ever been on an African safari or dreamed about going on one, the thriller Beast should hit home.
A recent widower, Dr. Nate Samuels (Idris Elba), is taking his two teenage daughters – sullen Meredith (Iyana Halley) and her younger sister Norah (Leah Jeffries) – on a healing journey to the South African savannah where their late mother, a photographer, spent her childhood. Icelandic director Baltasar Kormakur works with cinematographer Philippe Rousselot and the digital team to create savage terror as the canny, vengeful beast repeatedly stalks them.

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