WEEK IN WOMEN: Isabella Rossellini gets Excellence Award @ Locarno Film Fest – Brandy McDonnell reports

The Locarno Film Festival will celebrate the iconic Italian-American actress, model, and filmmaker Isabella Rossellini with the Excellence Award at its upcoming 79th edition, set for Aug. 5-15 in Locarno, Switzerland. Rossellini will be honored with the Excellence Award on the opening night of the festival, Aug. 5, in Piazza Grande. Along with a public conversation, Rossellini will present her witty, self-directed web series Green Porno (2008-09), in which she acted out animal mating rituals in costume and with deadpan comic genius. Other films wth classic Rossellini performamces are also on the program.

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CONCLAVE – Review by Susan Granger

The psychological thriller Conclave revolves around the selection of a new Pope, a mysteriously secretive process that begins with the death of the Holy Father whose private chambers are immediately sealed as Roman Catholic Cardinals from all over the world descend on the Vatican to be locked in the Sistine Chapel to cast their votes for his successor. “Certainty is the great enemy of unity. Certainty is the deadly enemy of tolerance. If there was only certainty and no doubt, there would be no mystery and therefore no need for faith,” intones British Cardinal Thomas Lawrence (Ralph Fiennes), the anguished, reform-minded Dean of the College of Cardinals who presides over the proceedings. “Let us pray that God grants us a pope who doubts.”

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CONCLAVE – Review by T.J. Callahan

As the Chalice Turns, Conclave isn’t non-fiction, but it plays like the ‘E! True Vatican Story’ of the search for a new Holy Father. The saintly soap opera is full of secrets, scandals and sacraments. The Robed and the Popeless. Based on the novel of the same name by Robert Harris, Conclave follows Dean Lawrence, played impeccably by Ralph Fiennes, as he’s tasked with organizing and carrying out the selection of a new pope after the current pontiff unexpectedly dies. His fellow cast of Cardinals, including Stanley Tucci and John Lithgow, begin drawing battle lines for succession until the all knowing Sister Agnes, played by a stone faced Isabella Rossellini, and an unknown clergyman from Kabul (Carlos Diehz) arrive and place a pall on everyone’s plans.

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LA CHIMERA – Review by Diane Carson

Italian director Alice Rohrwacher avoids cinematic clichés, forging a unique blend of complex characters in unusual circumstances and settings. She’s true to form in her latest film, La Chimera, Rohrwacher’s critical assessment of a band of tombaroli, grave robbers in an eccentric 1980s Tuscan community. The foreigner Arthur and his Italian colleagues propel the narrative with unanticipated twists and turns. Pushing us out of a relaxed comfort zone, Rohrwacher includes characters’ direct-address to the camera, singers and dancers presenting alternative perspectives, and magical realism interwoven with Italy’s signature cinematic neo-realism.

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MOVIE OF THE WEEK March 29, 2024: LA CHIMERA

Love and contentment are as elusive as an undisturbed Etruscan tomb in Alice Rohrwacher’s piquant dramedy La Chimera. As it tells the story of a merry group of Italian grave robbers — known as tombaroli — and the inscrutable Englishman who leads them to the caches of objects they happily sell to the highest bidder, the film examines the allure of pursuing something that always seems just beyond your grasp.

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SPACEMAN – Review by Susan Granger

Adapted by Colby Day from Jaroslav Kalfar’s 2017 novel Spaceman of Bohemia, Spaceman is unevenly directed by Sweden’s Johan Renck, who never quite decides whether this is a melancholy marital relationship drama, an existential meditation on loneliness, or cosmic conjecture about the ability of a human to remaining sane while in claustrophobic solitude. Spaceman is ambiguous and inconsequential.

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LA CHIMERA (TIFF 2023) – Review by Rachel West

Move over, Indiana Jones, there’s a new tomb-raiding archaeologist in town in Alice Rohrwacher’s madcap Italian tragi-comedy, La Chimera. Rohrwacher imbues the film with her unique style that feels loose and luxurious. Like the mythical chimera composed of incongruous body parts, the film is a gorgeous blend of style and substance. The story clips along with fast-motion sequences and silent film techniques which paint a truly original picture. Director of Photography Hélène Louvart plays with visuals and aspect ratios using 35mm, 16mm and Super 16 while editor Nelly Quettier brings further oddball energy to the the screen with jump cuts against a soundtrack of infectious Italian rock, folk, and electro-pop.

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LA CHIMERA (Melbourne IFF 2023) – Review by Alexandra Heller-Nicholas

Alice Rohrwacher is back, and the filmmaker who brought us The Wonders (2014) and Happy as Lazzaro (2018) returns with the highly anticipated Palme d’Or nominated (and Palme Dog winning) La Chimera. A generic melange of sped-up slapstick, heist film and romantic fantasy, the film stars Josh O’Connor as Arthur, an archaeologist turned graverobber who returns to the rural Italian home of his lost love Beniamina (Yile Tara Vianello) where he reconnects with her eccentric mother Flora (Isabella Rossellini) and his old tombaroli crew who entice him back into the business of raiding tombs to pilfer Etruscan antiquities. Through Flora he meets the quirky Italia (Carol Duarte), with whom he develops an unexpected connection.

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MARCEL THE SHELL WITH SHOES ON – Review by Diane Carson

Even before Marcel the Shell became a star in his own film, Marcel the Shell with Shoes On, he had gained numerous fans with his 2010 YouTube video and popular books. This probably surprised him the most since this hermit shell stands a mere one inch tall and is invariably humble, but sometimes a very unusual idea works surprisingly well.

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HELMUT NEWTON: THE BAD AND THE BEAUTIFUL – Review by Diane Carson

Director Gero von Boehm’s fawning documentary delivers an uncritical profile of the unconventional photographer Helmet Newton, who often stunned portrait and fashion circles with his women, nude, posed defiantly and seductively. For Newton, two dirty words in photography are “art” and “good taste.” He is, he proudly asserts, a professional voyeur.

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