MOVIE OF THE WEEK December 19, 2025: THE VOICE OF HIND RAJAB

A mix of heartbreaking reality and dramatic reenactments, Kaouther Ben Hania’s intense The Voice of Hind Rajab humanizes — in a horribly tragic way — the impact of the deadly conflict between Israel and Palestine. It’s impossible not to be moved as the film tells the true story of a young girl trapped in a bullet-riddled vehicle while aid workers desperately try to overcome the odds to rescue her. This would be a harrowing story in any circumstances, but the fact that Ben Hania uses the actual recordings of Hind’s conversations with the Red Crescent staff members makes it nearly unbearably distressing. She is vulnerable, bewildered, frightened, demanding — in other words, she is a very real, very traumatized child, and your heart shatters for her, as well as for those who are trying so hard to help her.

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THE VOICE OF HIND RAJAB – Review by Leslie Combemale

The Voice of Hind Rajab is a docudrama that dramatizes the true story of the Red Crescent (a humanitarian force that works to prevent and alleviate human suffering and is there in crisis situations, including wars) that on January 29th, 2024, tried to rescue a six year old Palestinian girl trapped in a car in Gaza. All members of her family that were in the car were killed when the Israeli Defense Forces opened fire, and she alone survived. She calls the emergency line, and Red Crescent volunteers keep her on the line while they try to get an ambulance to her, which is a complicated and dangerous proposition.

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HOLDING LIAT (Tribeca 2025) – Review by Valerie Kalfrin

Holding Liat focuses a compassionate and introspective lens on the ongoing conflict in Gaza through the conflicting feelings of one Israel-American family whose loved ones were taken hostage by Hamas. Roughly two weeks after the terrorist organization abducted civics teacher Liat Beinin Atzili and her artist husband, Aviv Atzili, during its incursion on Oct. 7, 2023, filmmakers related to her began documenting her family’s experience, the film notes. Although largely focusing on the Atzili family, the film illuminates the sympathetic and varied views of people caught in up in history as it unfolds.

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ADA: MY MOTHER THE ARCHITECT – Review by Yael Friedman (Guest Post)

There seems to be an endless appetite for depictions of the lone genius architect, both as a mythological creature walking amongst us, and as a metaphor for just about everything. And yet one of the best movies about one may never get its due. Ada: My Mother The Architect, by Yael Melamede, about her mother, Ada Karmi-Melamede, one of Israel’s most celebrated architects, is an extraordinary film that addresses all the big questions while also portraying a human being who is very much mortal.

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THE FUTURE (Tribeca 2023) – Review by Joan Amenn

What seems to be a criminal procedural drama at first blush is actually a political allegory in this finely acted, beautifully framed film by Noam Kaplan. Subtly representing the destructive nature of the Palestinian Israeli conflict through the interaction of two women, The Future is at its best when Samar Qupty and Reymonde Amsellem are verbally sparring with each other as the former plays an alleged assassin and the latter is her interrogator.

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