QUO VADIS, AIDA? – Review by Maitland McDonagh
Bosnian filmmaker Jasmila Zbanic’s Quo Vadis, Aida? unfolds during the bitter dismantling of the former Yugoslavia, defined by brutal conflicts between the country’s Serbian, Croat and Bosnian residents who were divided on multiple fronts with religion often coming to the forefront and pitting Catholics, Muslims and Eastern Orthodox Christians against each other in the mid 1990s to horrific result.
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