SWIPED (TIFF) – Review by Valerie Kalfrin

The drama Swiped peeks behind the scenes of the dating app Tinder, where a bright young woman who helped launch its success finds she can’t “swipe left” on the misogyny and sexism. Unfortunately, viewers might want to “swipe left” on this film. In portraying the career of Whitney Wolfe Herd, who weathered a scandal after Tinder to become the world’s youngest self-made female billionaire, the film skims over a lot. It feels like flipping through several browser windows without reading them.

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SWIPED (TIFF 2025) – Review by Rachel West

Whitney Wolfe appeared to have it all. A smart, business-savvy young woman full of ideas who knew how to work a room full of tech bros to earn herself a place as Tinder’s lone female co-founder. It seems like a tech fairytale come true, full of female empowerment and triumph. But for Wolfe, it was more akin to a nightmare full of misogyny, toxic men, harassment, and sexism. Her story is the basis for the new film Swiped, directed by Rachel Lee Goldenberg and starring Lily James as the real-life Wolfe.

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PET SEMATARY: BLOODLINES – Review by Nadine Whitney

Stephen King’s novel Pet Sematary has been adapted for the screen three times. The 1989 version by Mary Lambert which was co-scripted by King, which was followed by a 1992 sequel. In 2019 another adaptation was directed by Kevin Kölsch and Dennis Widmyer. Acting as a prequel to the 2019 version, Lindsey Anderson Beer’s Pet Sematary: Bloodlines concentrates on the character of the young Jud Crandall who had been previously played as an old man by Fred Gwynne and John Lithgow. Jud Crandall is the man who leads Louis Creed to the titular Pet Sematary and the sour land beyond. Beer’s film attempts to solve the mystery of Ludlow, Maine and why death is different there.

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AMBULANCE – Review by Rachel West

Ambulance is a Michael Bay boilerplate thrill ride throwback to the 1990s that desperately hopes its audience will hang on for the wildly absurd ride. Based on a 2005 Danish film of the same name, Bay’s latest entry into to his explosive filmography is a near two-hour chase scene overstuffed with some quippy one-liners that feel resurrected from the director’s mid-90s action blockbusters The Rock and Bad Boys. Viewers needn’t worry if they forgot about those movies because Chris Fedak’s script will literally remind you they exist with characters referencing and quoting from each of them.

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