BELFAST – Review by Susan Granger

Filmmaker Kenneth Branagh’s poignant cinematic memoir of his childhood in Northern Ireland in 1969 recalls a turbulent period when Catholics and Protestants were at war with one another. His semi-autobiographical story revolves around nine year-old Buddy, who lives with his older brother, parents and grandparents. They’re Protestants in a working-class neighborhood that’s also filled with Catholic families. Then the sectarian riots begin, the barricades go up and British soldiers arrive. Chaos reigns as bewildered Buddy watches his idyllic street become an unruly battleground. During one skirmish, Buddy’s Ma rescues him using a trash can lid as a shield.

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BELFAST – Review by Diane Carson

Writer/director Kenneth Branagh’s film Belfast is based on his first nine years growing up there as the Irish Troubles erupted in 1969. It unfolds in gorgeous black-and-white that evokes the time period, yielding to color only when the family at the center of the political conflict escapes to the cinema in this autobiographical story of politics, religion, and country.

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BARB AND STAR GO TO VISTA DEL MAR – Review by Leslie Combemale

Barb & Star Go To Vista Del Mar is a frothy flick that lands just in time for Galantine’s Day. Penned by and staring longtime friends Kristen Wiig and Annie Mumolo, the story target 40-something besties that harbor no longterm grudges or deep-seated animosity towards each other. There are Technicolor musical numbers, psychedelic vignettes, and over-the-top bananas plot devices. It’s a strange, tacky trip that works mostly through how Mumolo, Wiig, and the rest of the cast sell it, and it’s sweet and funny enough to put a one hour and forty-six minute pin in your pandemic fatigue.

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WILD MOUNTAIN THYME – Review by Martha K Baker

John Patrick Shanley’s Wild Mountain Thyme might have worked better as a play, especially in the intimate, yet opaque dialogues, but as the plot unscrolls, it works as a story, a classic Irish tale of love and land. As a film, it holds Ireland in the camera’s eye.

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WILD MOUNTAIN THYME – Review by Susan Wloszczyna

When the trailer for Wild Mountain Thyme first landed, Irish folk grabbed their verbal shalaylees and cried foul over what they condemned as dodgy Emerald Isle accents and corny “Erin Go Bragh” clichés. Having now seen the film myself, those impressions aren’t totally wrong.

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ROBIN HOOD – Review by Sarah Ward

The latest version of Robin Hood takes its cues from modernised medieval epics to give audiences a high-energy dose of action, although nobody will feel particularly richer or poorer for it. Returning the folkloric figure to the big screen for the first time since 2010, this is a new, younger-skewing original story rather than a rehash, with designs on setting up a new franchise.

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