Week In Women: Georgia Oakley’s new take on SENSE AND SENSIBILITY – Brandy McDonnell reports

Writer-director Georgia Oakley’s new screen adaptation of iconic English writer Jane Austen’s first novel will bow in movie theaters in fall, released by Focus Features, Universal Pictures International (UPI) and Working Title in U.S. theaters on Oct. 16. Oakley is following up on her award winning Blue Jean (2022), directing from a script by bestselling author Diana Reid. Filming started last summer in the United Kingdom. Focus has worldwide rights on the movie, and UPI will handle international distribution for the studio. The film was initially scheduled for a September theatrical release in the United States.

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WEEK IN WOMEN: Aisling Walsh’s MISS AUSTEN streams on PBS’ Masterpiece – Brandy McDonnell reports

BAFTA-winning filmmaker Aisling Walsh helms Miss Austen, the new series premiering on Masterpiece on PBS. The four-part series reimagines a truth-based historic femme-centric literary mystery — about why Cassandra Austen (Keeley Hawes) notoriously burned her famous sister Jane Austen’s letters — and turns it into a fascinating, witty and heartbreaking story of sisterly love. The series premiered on May 4, and is currently available to stream via the PBS app, pbs.org and PBS Masterpiece on Prime Video.

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MOVIE OF THE WEEK December 18, 2020: MODERN PERSUASION

It is a truth universally acknowledged that a Jane Austen novel in possession of a memorable heroine must be in want of a contemporary update. Which isn’t always a good thing, but, happily, Alex Appel and Jonathan Lisecki’s Modern Persuasion is sweet and charming enough to please anyone who relishes a good comedy of manners with a side of swoon-worthy romance.

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MODERN PERSUASION – Review by Susan Wloszczyna

If you like your Jane Austen movies updated to current times, you might find some enjoyment in Modern Persuasion, which manages to blend the author’s Regency-era vision with such Millennial fixations as social media, romantic hook-ups and party-hardy attitudes with a 21st-Century version of working gal tropes

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MODERN PERSUASION – Review by Loren King

Jane Austen’s literary works continue to provide an endless source of material for screen adaptations. Director Autumn de Wilde’s Emma starring Anya Taylor-Joy as the title character, was released to enthusiastic reviews earlier this year. Now there’s the new romantic comedy Modern Persuasion, an updating of Austen’s 1817 novel Persuasion aimed less at the PBS crowd and more at Millennials.

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LOVE AND FRIENDSHIP — Review by Susan Granger

When Jane Austen was very young, she scribbled the novella “Lady Susan,” an archly observant satire of 18th century epistolary novels in the form of letters from the hyper-articulate heroine. It’s perfectly suited for writer/director Whit Stillman (“Damsels in Distress,” “Last Days of Disco,” “Metropolitan,” “Barcelona”), who has demonstrated a fondness for the witty banter that harks back to the Restoration comedy of manners.

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UNDER THE GUN, MONEY MONSTER, LOVE & FRIENDSHIP, THE STUDENT BODY and more May 13 Openers — Reviews by Jennifer Merin

Stephanie Soechtig’s exemplary must see documentary Under The Gun advocates for much needed gun control legislation in the US. Jodie

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AWFJ Movie of the Week, February 1-7: PRIDE AND PREJUDICE AND ZOMBIES

Opening February 5, AWFJ’s Movie of the Week is Pride and Prejudice and Zombies, the big screen adaptation of Seth Grahame-Smith’s popular novel, which envisions Jane Austen’s classic playing out in a world populated by the living dead. Read on…

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