Despite Progress, Europe’s Film Industry Struggles with Gender Equality – Jennifer Green reports

The European Audiovisual Observatory (EAO) reports that women represented fewer than one out of four film directors in Europe (23%) between 2016 and 2020. Females made up slightly more producers (33%) and screenwriters (27%), but struggled to have a significant presence in technical positions like cinematographers (10%) and composers (9%). Women directed fewer films than men and were less likely to be sole directors of feature films than their male counterparts. Female producers were involved in 44% of European feature films (alone or in teams), but on average women tended to produce slightly fewer films than men. Women also made up less than half (39%) of lead roles. The Paris-based “Femmes de cinema” Lab initiative’s 2021 study shows that “on average and even today, women are less paid, less subsidized, less programmed than men, and female characters are still too often poor or stereotypical.”

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AWFJ Announces 2021 EDA Award Winners – Jennifer Merin reports

The Power of the Dog sweeps the 2021 AWFJ EDA Awards with Wins in 11 out of 25 Categories. Multiple EDA Awards also go to Belfast and Encanto, and curator Maya Cade claims the Outstanding Achievement Award for founding the Black Cinema Archives. Dame Judi Dench and Ms. Rita Moreno are our Grande Dames, and guess who captured the She Deserves A New Agent Award.

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WEEK IN WOMEN: Jane Campion wins big at Golden Globes – Brandy McDonnell reports

The 79th Golden Globes were a tarnished shadow of their past glory, but the embattled Hollywood Foreign Press Association managed to pick some dazzling winners at the celebrity-free, non-televised Jan. 9 ceremony.
With her stunning Western epic “=The Power of the Dog, Jane Campion became just the third woman in the Globe’s almost eight-decade history to garner the best director title, following Chloe Zhao’s 2021 win for Nomadland and Barbra Streisand’s 1983 victory for Yentl.

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MOVIE OF THE WEEK December 3, 2021: THE POWER OF THE DOG

It has been 12 years since film titan Jane Campion released a feature film. Now, with The Power of the Dog, the New Zealand director shows she has lost not a step. Her adaptation of Thomas Savage’s 1967 Western novel offers the vivid landscapes and hothouse emotions reminiscent of the film that put her on the world map, The Piano (1993). A piano even serves as an important plot point.

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SPOTLIGHT December 2021: Ari Wegner, Cinematographer, THE POWER OF THE DOG and ZOLA

While she won’t speculate on her own awards prospects, Ari Wegner recently told me how happy she is to see the way women are now being more welcomed in the field of cinematography. She hopes this will continue to increase as female DPs start to see the recognition that has eluded them for so long. She discusses both the art and science of filmmaking with such a degree of passion and poetry, that her love for the medium is contagious. She is a leader, a champion, and a gifted artist, giving the world not only beautiful images, but a sense of hope and fascination too.

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THE POWER OF THE DOG – Review by Sherin Nicole

You’ll keep waiting for the axe to fall…and it doesn’t…and it doesn’t…and the tension builds to the bursting point. Perfectly benign moments take on sinister hues in The Power of the Dog, you know something is deadly wrong, tensions hang over your head, and when the axe finally falls it’s a hell of a payoff.

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THE POWER OF THE DOG – Review by Susan Granger

Utilizing myriad metaphors, writer/director Jane Campion (Oscar-winner for 1993’s The Piano) subtly crafts a kinky, compelling thriller, working with cinematographer Ari Wegner, who transforms New Zealand’s barren South Island into stark, sparsely populated Montana in 1925. Tt’s visually stunning with a spine-chilling score by Radiohead, Jonny Greenwood.

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THE POWER OF THE DOG – Review by Diane Carson

New Zealand director Jane Campion has a knack for isolating individuals in a remote, harsh location, applying pressure, and watching civilization unravel. That’s exactly what she does in The Power of the Dog, set on a vast Montana cattle ranch in 1925 where two brothers, the wife, and her son will become immersed in an unnerving psychological battle. The Power of the Dog is one of this year’s most haunting, well-executed films.

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WEEK IN WOMEN: Jane Campion receives 2021 Lumière Award – Brandy McDonnell reports

New Zealand filmmaker Jane Campion will be honored with the Lumière Award during the 13th edition of the Lumière Festival, which will take place Oct. 9-17 in Lyon, France. Known for her “extraordinary aesthetic and dazzling poetry,” Campion will receive the 13th Lumière Award. She will be the first woman director to receive the prestigious prize.

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