WE’RE ALL GOING TO THE WORLD’S FAIR (Fantasia 2021) – Review by Alexandra Heller-Nicholas

Low-key, dark, and emphatically superb, We’re All Going to the World’s Fair flirts with the internet horror of films like the recent Zoom indie smash Host, but where that film stayed impressively loyal to its central formal conceit, Schoenbrun dazzles with this unrestrained foray well beyond the boundaries of any particular horror subgenre and into much more abstract terrain. Swirling around the plug hole of a digital abyss, we’re never sure what lies down the drain even after the film has ended, making it the rarest of gifts; a horror movie that becomes more disturbing the more you think about it, long after it has ended.

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WE’RE ALL GOING TO THE WORLD’S FAIR (Sundance2021) – Review by Pam Grady

A teenage girl living a troubled life in the real world seeks community and adventure in the titular online role-playing game in writer-director Jane Schoenbrun’s intriguing narrative feature debut. Ostensibly a horror movie in which a naïve kid immerses herself in a world that promises transformation, the real horror isn’t in the game but in the world the girl encounters whenever she leaves her bedroom.

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