THE BATMAN – Review by Susan Granger

Matt Reeves’ The Batman is a brooding, noir’ish interpretation of the DC Comics superhero, focusing for almost three hours on a sorrowful, conflicted Dark Knight, haunted by serious psychological issues involving his late father. Working with cinematographer Greig Fraser and production designer James Chinlund, director/writer Matt Reeves bathes the film in a bleak, inky blackness, enhanced by Michael Giacchino’s symphonic score.

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THE BATMAN – Review by T. J. Callahan

The Batman is set 20 years after the murder of young Bruce Wayne’s parents. It’s Halloween and Gotham’s “on the take” political leaders are being killed by the sadistic Riddler…forcing Batman to scrutinize the city’s corruption and the Wayne family’s possible involvement. The Batman is a throwback private eye film and a psychological thriller. It’s more True Detective and less Super Hero.

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THE POST DISPATCH – Review by Susan Granger

Deftly scripted as an absurdly fanciful anthology, filled with piquant caricatures, The French Dispatch is meticulously crafted by Wes Anderson as an inventive, whimsical tribute to several generations of mannered storytellers who enriched the American literary landscape

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