THE MOTHER – Review by Jennifer Merin

The Mother is a high velocity action thriller with a feminist filmmaker pedigree. Niki Caro directs the fast paced screenplay by Andrea Berloff, Misha Green and Peter Craig, based on a story by Misha Green. Jennifer Lopez, who coproduced the movie, stars as ‘The Mother,’ a former super spy and military assassin whose life is threatened by a very bad man who is seeking revenge for a high stakes deal that went south. The Mother (the character’s mane is never revealed) is determined to save the teenage girl she birthed years ago and reluctantly gave over to a foster family for the child’s protection from the evil revengeful gangster who is determined to kill both mother and daughter.

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THE MOTHER – Review by Nikki Fowler

The Mother tries repeatedly but somewhat fails at being a strong dramatic action movie despite having many action sequences and some scenic US snow filled mountainous and colorful Cuban landscapes, alongside some great production and popular music tracks. The start of the story is a bit traumatizing with Jennifer Lopez as ‘The Mother’ being stabbed in the stomach while she’s pregnant. From there, we follow her emotionally traumatizing journey in having to give up her child to foster care for the baby girls safety, only to step back into the child’s life 12 years later when her own past life as an assassin catches up with her and puts her, and her estranged daughter, at risk.

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MOVIE OF THE WEEK May 12, 2013: THE MOTHER

Jennifer Lopez takes the concept of the “mama bear” and ratchets it up several notches to “raging grizzly mom” in Niki Caro’s tense action thriller The Mother. Lopez’s unnamed sniper/assassin mows down bad guys without flinching — or remorse — as she puts everything on the line to save the daughter she reluctantly gave up at birth to protect her from the evildoers who will stop at nothing to wreak their revenge.

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HALFTIME (Tribeca 2022) – Review by Valerie Kafrin

The Netflix documentary Halftime peeks into the whirlwind life of global superstar Jennifer Lopez—but don’t expect to get too close. “One of the things that I’m proud of is that I’m able to hold it together in front of everybody without anybody knowing how I feel,” she tells the filmmakers. Earlier, she says that she doesn’t even let on when she’s sick. Lopez is an undeniably charismatic performer, yet in exploring her drive, Halftime shows us only half the picture. “My whole life, I’ve been battling and battling to be heard, to be seen,” she says. If only we’d seen more of that.

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WEEK IN WOMEN: Tribeca FF 2022 opens with JLo docu HALFTIME – Brandy McDonnell reports

New York’s 2022 Tribeca Film Festival will launch June 8 with the world premiere of Halftime at the United Palace in Washington Heights. Halftime is a new Netflix documentary film by director Amanda Micheli that follows global superstar Jennifer Lopez as she reflects on her milestones and evolution as an artist and navigates the second half of her career continuing to entertain, empower and inspire

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MARRY ME – Review by Brandy McDonnell

As sparkling and sweet as a glass of bubbly, the new romantic comedy Marry Me pours out an entertaining – if not earth-shattering – cinematic experience perfect for a lightweight date night or girls’ night. In an art-reflects-life role, J.Lo plays a self-made music superstar and mogul who has practically every waking moment sponsored, filmed and posted to social media. To go with their new hit duet “Marry Me,” she and her fellow pop luminary beau are planning to get married onstage during a sold-out New York City concert that will be live-streamed to millions worldwide.

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MARRY ME – Review by Lois Alter Mark

Chances are you’re going to try to resist Marry Me. You’re going to go into it thinking, “Jennifer Lopez and Owen Wilson together? Really?” and you’re going to scoff and roll your eyes and make all kinds of groaning noises. And then, against your better judgment, you will get sucked into the story and find yourself smiling when – or, maybe more accurately, even though – that story plays out pretty much exactly how you imagined it would.

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MARRY ME – Review by T.J. Callahan

This time Owen Wilson is an unwitting Wedding Crasher as mild mannered, divorced math teacher, Charlie, who’s main ambition is to be a cool dad in Marry Me…a just in time for Valentines Day chick flick that men can earn serious brownie points with if they make this movie part of a date night. Don’t be afraid to take the plunge, but don’t have high expectations of wanting to renew these vows.

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WEEK IN WOMEN: Palm Springs Film Fest honors Laura Dern – Brandy McDonnell reports

Laura Dern will receive the Career Achievement Award at the 31st annual Palm Springs International Film Festival’s Awards Gala at the Palm Springs Convention Center in Palm Springs, California, on January 2, 2020. Also to be honored at the ceremony are Jennifer Lopez, Charlize Theron and Renee Zellwegger.

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