EO – Review by Diane Carson

EO reveals life from a Sardinian donkey’s perspective. Individuals reveal who they are—values, priorities, empathy—in their interaction with animals. The brilliant, minimalist French director Robert Bresson documented exactly this in his 1966 Au Hasard, Balthazar, documenting the donkey Balthazar’s life. Updating the content, Polish director Jerzy Skolimowski reassesses this world through the donkey EO’s point of view as he experiences his life’s joys and tragedies.

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