MINIONS & MONSTERS – Review by Valerie Kalfrin

Minions & Monsters is adorably meta, a loving salute not just to movies but to filmmakers, artists, and audiences. It’s easily the best of the three Minions films, packed with affectionate and funny nods to silent and Golden Age movies, from Georges Méliès’s A Trip to the Moon to Citizen Kane. Illumination Entertainment’s typical opener of three greeting Minions becomes black-and-white rubber-hose-style animation this go-round as Minions & Monsters begins, teasing the references in store. These immortal imps soon gallop behind Eadweard Muybridge’s horse in motion and wait for the Lumière brothers’ train as a modern-day tour guide schools children and adults on their place in Hollywood history.

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A REAL PAIN, Holocaust Tourism & Gaza – Essay by Yael Friedman (Guest Post)

A Real Pain utilizes the familiar tourist trip as a convincing canvas. Nailing down the charmingly Bohemian Benji (Kieran Culkin) by booking a conventional tour by the more conventional cousin David (Jesse Eisenberg), made sense. It was a perfect vehicle for allowing their dynamics, personalities, the themes of memory and trauma tourism, to unfold. The exposition in this screenplay was a master class, even though the actors are laying versions of themselves, or because of it. It’s a neat sleight of hand to turn a character you think you know into one entirely invented. As fun as Benji was and as envious as the more straitlaced and neurotic David got, the tragedy of Benji’s character pierced deeply. He endeared and broke and enraged you in equal measure. We never really find out why Benji has been cast adrift in life, and we don’t need to. We meet him where he is and worry for what is next. Just enough is given to make it real and utterly palpable.

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New York Film Festival (NYFF 2024) Overview – Diane Carson reports

The 62nd New York Film Festival offers a diverse range of film styles and issues, a delightful world cinema snapshot. With entries from Singapore and Georgia, China and Japan, France and Palestine, South Korea and Portugal, any attempt to synthesize the myriad issues and themes is futile, albeit tempting, for all touched on weighty issues, even the more amusing ones.

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WHEN YOU FINISH SAVING THE WORLD (Sundance FF 2022) – Review by Lauren Anderson

Written and directed by Jesse Eisenberg, When You Finish Saving the World explores the often uncomfortable relationship between mother and son. Julianne Moore and Finn Wolfhard deliver powerhouse performances in this Sundance 2022 film, in which there is often despair and discomfort but also a fraction of hope and change.

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RESISTANCE – Review by Carol Cling

Resistance recounts an undeniably fascinating, fact-based WWII story involving, among others, a young man who would become world famous — and another who became forever infamous. It’s a tale well worth telling — and remembering. Sometimes because of, and sometimes despite, the way it’s told.

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THE ART OF SELF DEFENSE – Review by Diane Carson

The Art of Self Defense is a movie at war with itself. Though billed as a satiric comedy on destructive hypermasculinity, it lacks the wit and insight to skewer its target with anything approaching a gratifying, substantive critique. At best a cartoonish lampoon, it exaggerates its nerdish protagonist and lacks needed, nuanced development.

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AWFJ Movie of the Week, June 6 – June 12: NOW YOU SEE ME 2

Opening June 10, AWFJ’s Movie of the Week is Now You See Me 2, the sequel to 2013’s hit film which saw a team of master illusionists pull off audacious bank heists during their performances and share the proceeds with their audiences Read on…

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