LITTLE JOE – Review by Alexandra Heller-Nicholas

Recently playing at Austin’s Fantastic Fest after competing for the Palme d’Or at this year’s Cannes Film Festival (and winning Emily Beecham Best Actress award), Jessica Hausner’s English-language debut feature Little Joe in many was recalls her 2004 feature Hotel with its particular utilization of genre as a way to explore the relationship between women, identity and labor

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