CYRANO – Review by Susan Granger

It’s not about the nose! Director Joe Wright re-imagines Edmund Rostand’s 1897 poetic drama Cyrano de Bergerac about a swashbuckling poet/solider with self-esteem issues. In her musical adaptation of the French classic love story, Erika Schmidt discards the gigantic nose as an impediment and substitutes short stature. Cyrano is embodied by Peter Dinklage.

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CYRANO – Review by Diane Carson

Cyrano charms and surprises with songs, dances, and duels. Confirming, again, that revered stories attract, perhaps even need, updates, director Joe Wright’s reinterpretation of Cyrano both charms and surprises. Its unexpected tone and style, replete with songs, dances, and duels, features the amazingly versatile Peter Dinklage as the love-struck but insecure poet Cyrano de Bergerac longing for the beautiful Roxanne. He’s certain his height precludes any romantic success. Familiarity with Edmond Rostand’s legendary 1897 story may help viewers immerse themselves in this version, but the acting and action, the lavish art direction and superb staging (shot in Noto, Sicily) make this adaptation a triumph.

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CYRANO – Review by Joan Amenn

Sometimes a film takes a second viewing to make you aware of how much it moves you. If you have a rather cynical view of romance, perhaps, “Cyrano” (2021) won’t be your cup of tea. Or you might find yourself humming one of the tunes from the soundtrack days later and realize this very romantic film has worked itself through your thorny defenses despite yourself. I confess I am in the latter camp.

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CYRANO – Review by Valerie Kalfrin

Cyrano, a musical adaptation of Edmond Rostand’s famous tragic romance, is as besotted with language as is its protagonist, a man enraptured with a woman he thinks won’t love him back. Besotted and enraptured might seem heady words nowadays, but heightened wordplay is the lingua franca of this film’s Paris of 1640, where people admire the cut of a barb as much as swordsmanship.

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THE WOMAN IN THE WINDOW – Review by Susan Granger

Occasionally, there’s a book-to-film adaptation that is an utter disaster. Netflix’ The Woman in the Window is one. Based on A.J. Finn’s 2018 best-seller, it’s set on Manhattan’s Upper West Side in the huge home of Anna Fox (Amy Adams), a child psychologist who became agoraphobic after a traumatic accident.

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