Despite Progress, Europe’s Film Industry Struggles with Gender Equality – Jennifer Green reports

The European Audiovisual Observatory (EAO) reports that women represented fewer than one out of four film directors in Europe (23%) between 2016 and 2020. Females made up slightly more producers (33%) and screenwriters (27%), but struggled to have a significant presence in technical positions like cinematographers (10%) and composers (9%). Women directed fewer films than men and were less likely to be sole directors of feature films than their male counterparts. Female producers were involved in 44% of European feature films (alone or in teams), but on average women tended to produce slightly fewer films than men. Women also made up less than half (39%) of lead roles. The Paris-based “Femmes de cinema” Lab initiative’s 2021 study shows that “on average and even today, women are less paid, less subsidized, less programmed than men, and female characters are still too often poor or stereotypical.”

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TITANE (Cannes Film Fest 2021) – Review by Moira Sullivan

Julia Ducournau has created a powerful iconic film, Titane, the Palm d’Or winner of the 74th Cannes Film Festival, where the human body is taken for a ride within realms of ambiguity. It stands out among the films in this year’s feature film competition because of its cinematic gestalt of a cyborgian split in gender expression.

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