Justin Theroux

What’s the worst that can happen? That’s not a question the voices inside your head will likely answer, because doing so might end the self criticism, judgment, and worry that play like a tape loop in your brain. That isn’t something studio executive Violet Calder (Olivia Munn) has figured out in the film Violet, from actor Justine Bateman in her first narrative feature as writer/directed.

Violet is a film about toxic relationships, not just with others, but – first and foremost – with ourselves. It makes literal the internal struggles so many of us face on a daily basis: how much do we share? Who do we trust? How do we change our lives? Violet uses the codes and conventions of cinema and weaves them into Justine Bateman’s own strikingly creative approach to filmmaking to address the tricky representational arena of self-sabotage, as the character is pushed and pulled with exhausting frequency between what she feels, what she does, and what the cruel, infantalizing voice in her head tells her about herself. Violet is a film about struggle, about fighting back and taking control, but the way that Bateman brings this internal universe to life makes it not only one of the most memorable films at TIFF this year.