AVATAR: FIRE AND ASH – Review by Susan Granger

In the cinematic art of world-building James Cameron has no peer: Avatar: Fire and Ash continues his mythic exploration with motion-capture and digital effects. In Avatar & its Way of Water sci-fi sequel by the mid-22nd century, humanity has depleted Earth’s natural resources – so the Resources Development Administration (RDA) dispatched former U.S. Marines-turned-mercenaries to a distant lushly bio-diverse moon called Pandora in the Alpha Centauri system.

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LEE – Review by Susan Granger

Kate Winslet devoted nearly a decade to bringing her passion project Lee, the story of Lee Miller, a hedonistic high-fashion-model-turned-war correspondent, to the screen – for which she received a Golden Globe nomination. Using the framing device of being ‘interviewed,’ Miller’s story begins in 1937 in the south of France, where – realizing that her modelling days were numbered – she turned to photography, became the audacious, bare-breasted muse of Dada artist Man Ray and eventually married British Surrealist Roland Penrose (Alexander Skarsgard), who recruited artists for a ‘camouflage’ unit.

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LEE – Review by Diane Carson

Lee profiles the legendary war photographer Lee Miller. Before plunging into Lee Miller’s formidable WWII photography, director Ellen Kuras begins Lee with Miller’s Vogue and Vanity Fair modeling career amidst her luxurious love life in Paris and London, lending this film poignant gravity. Based on Miller’s actual, bifurcated career, Lee’s contrasting worlds before and during WWII heighten the cinematic experience, especially given Lee’s conscientious witnessing of atrocities.

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MOVIE OF THE WEEK September 27, 2024: LEE

From the dark teenage drama of Heavenly Creatures to the gritty urban gloom of Mare of Easttown, Kate Winslet is no stranger to playing strong, complicated women. She continues that streak here, clearly relishing the opportunity to tell the fascinating story of famed model/photographer/war correspondent Lee Miller in Ellen Kuras’ engrossing biopic Lee. As it follows Miller through the battlefields of World War II, the film makes it clear exactly why Miller and Winslet deserve to be known as legends.

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LEE – Review by Leslie Combemale

“There’s so much life in a person’s eyes, right up until the moment that there isn’t”, says Lee Miller in Ellen Kuras’s new bio-pic Lee. A historic war photographer and iconoclastic personality, Miller captured both sides of that truth with her camera, and her work is a lasting testament to her fearlessness and artistry. She captured some of the most indelible images from the decade that spanned before, during, and after World War II, including uniquely expressing the challenges for women in the war, as well as the tragedy and horror of the holocaust. Award-winning cinematographer Kuras makes her narrative directorial debut with Lee, which tells the story of the decade roughly between 1935 and 1945 from Lee Miller’s perspective.

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LEE – Review by Loren King

For those who don’t know much about the fascinating life of Lee Miller, Lee will immediately send you in search for books, documentaries and archives. That alone is a strong endorsement for any biopic. Anchored by a gritty performance by Kate Winslet as the model turned photographer whose work as a war correspondent during World War II yielded some of the first and still chilling images from the Nazi death camps, Lee depicts a life too big for a single film. Still, director Ellen Kuras and Winslet capture Miller’s artistic curiosity and core defiance that made her a woman far ahead of her time.

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LEE (TIFF 2023) – Review by Rachel West

Once an artist’s muse, Lee Miller revolutionized the way the world looked at wartime photography. Now, first-time director Ellen Kuras is telling her story in the compelling portrait, Lee, featuring another awards-worthy performance by Kate Winslet. Lee sets out to tell a straightforward story of Miller’s life and it does it quite well. Kuras makes sure that Miller’s story is front and centre at all times. It is her journey we are meant to follow as viewers are guided through her photographs, including her infamous portrait in Hitler’s bathtub.

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EIFFEL – Review by MaryAnn Johanson

We’ve all looked at skyscrapers thrusting tall and proud into the unsuspecting sky and snorted to think of what was subconsciously driving the (inevitably male) architects. Right? Of course we have. Yet I cannot think of a single film before this one that takes our presumptions and seems to say, “Yes, heh heh, yesssss,” with a glint in its eye.

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MOVIE OF THE WEEK September 25, 2020: BLACKBIRD

Centered on an emotional, moving performance by Susan Sarandon, Roger Michell’s Blackbird (a remake of the Danish film Silent Heart) is a powerful family drama about love and loss — and letting someone say goodbye on their own terms. It addresses the often-controversial issue of assisted death head on, ultimately depicting it as one of the hardest but most important choices a person can make for themselves.

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