A HOUSE OF DYNAMITE – Review by Valerie Kalfrin

The lunacy out of Washington, DC, on any given day can overshadow the men and women who watch the skies in remote bases and secure spaces, monitoring our nation’s defenses around the clock. A House of Dynamite is a potent reminder. Now streaming on Netflix, this political thriller races through what happens after a missile arcs toward the United States, leaving just precious minutes to determine how to respond. It’s an intense and draining watch—and a larger existential story about the senselessness of it all.

Read more

New York Film Festival 2025 Roundup – Margaret Barton-Fumo reports

This year, the 63rd annual New York Film Festival boasted an impressive roster of women-produced and women-prominent features, spanning across a variety of different genres. In general, this year’s more anticipated, big-ticket films turned out to be less remarkable than some of the quieter releases, as we’ll address in this roundup. The festival opener, for example, Luca Guadagnino’s After the Hunt, while an apt showcase for Julia Roberts, was a coolly received treatise on cancel culture told from within the confines of the ivory tower of academia. Other films in the Main Slate, like Kelly Reichardt’s The Mastermind and Joachim Trier’s Sentimental Value, while more understated features, received greater praise from audiences and critics alike.

Read more

WEEK IN WOMEN: Lizzie Borden’s BORN IN FLAMES is reborn in Blu-ray release – Brandy McDonnell reports

Lizzie Borden’s iconic 1983 film Born in Flames is set to be released on Blu-ray on Sept. 16 by The Criterion Collection. Told through a furiously fractured, kinetically edited flurry of television news broadcasts, pirate radio transmissions, agitprop and protests shot guerrilla-style on the streets of New York City, Born in Flames is a shock wave of feminist futurism that’s considered both an essential document of its time and radically ahead of it.

Read more

FALL FESTIVAL PREVIEW 2025 – Christina Jeurling Birro reports

Bigelow’s back, Zhao tackles Shakespeare, and More as the fall film festivals unveil their lineups. The fall film festival season kicks off on the Lido in Venice in less than a month, then rolls on from the mountains of Telluride to Toronto, and beyond. This year promises a strong showing from female directors across many lineups. Here are just a few of the exciting films to keep your eyes on!

Read more

Rachel Lambert talks SOMETIMES I THINK ABOUT DYING – Rachel West Interviews

After debuting at the Sundance Film Festival in 2023, director Rachel Lambert’s Sometimes I Think About Dying is opening in theatres this week. The film follows Fran (Daisy Ridley), a woman who likes to think about dying. Finding an unexpected connection with a new colleague at work (Dave Merheje), Fran explores her idea of identity and loneliness as she finds new modes of human connection. AWFJ’s Rachel West spoke with Lambert about her new film, working with Daisy Ridley, and how three women came together to not only get the film made, but have it play the opening night of Sundance.

Read more

WEEK IN WOMEN: Kathryn Bigelow to direct AURORA – Brandy McDonnell reports

Academy Award winner Kathryn Bigelow is directing a feature film adaptation of Aurora for Netflix. The film will be based on David Koepp’s upcoming novel, to be published June 7 by HarperCollins. The story follows characters who are coping with the collapse of the social order, set against a catastrophic worldwide power crisis.

Read more

DETROIT — Review by Susan Granger

In this scathing docudrama, Kathryn Bigelow, the Oscar-winning director of “The Hurt Locker’ and “Zero Dark Thirty,” depicts the civil unrest that rocked Detroit in the volatile summer of 1967. It begins on the night of July 23 with a violent police raid on “The Blind Pig,” an unlicensed bar and African-American social club located on the second floor of a printing company, inciting what came to be known as the 12th Street Riot.

Read more

MOVIE OF THE WEEK August 18-25: DETROIT

Intense. Infuriating. Immediate. Kathryn Bigelow’s powerful, often-heartbreaking historical drama Detroit is all of these things and more. Set amid the chaos, violence, and anger of the riots that dominated Motor City during the summer of 1967, the film’s narrative focuses on the police brutality that took place at the Algiers Motel on July 25 and 26 of that year, and the justice system’s subsequent whitewashing of that heinous event. Continue reading…

Read more

DETROIT — Review by Pam Grady

In the summer of 1967, while the West Coast grooved to the Summer of Love, Detroit burned in five days of rioting that pitted the African American community against the arrayed forces of the Detroit police department, Michigan state police, and the National Guard. In her most potent film to date, Kathryn Bigelow reteams with screenwriter Mark Boal to stunningly recreate that time.

Read more