DUTTON RANCH – Review by Susan Granger

Attention: Yellowstone fans: Kelly Reilly and Cole Hauser return as indomitable Beth Dutton and her husband Rip Wheeler in the new Dutton Ranch. When a ferocious wildfire destroys their Montana home, Beth and Rip, along with their adoptive son Carter (Finn Little) take off for Rio Paloma in South Texas, just north of the Mexican border. That’s where they buy a small ranch – 5,000 acres with 175 head of purebred Black Angus cattle – that belonged to the Edwards family

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HERE – Review by Susan Granger

Robert Zemeckis is a courageous, innovative filmmaker. Never resting on his Forrest Gump, Back to the Future, Cast Away laurels, he’s obsessed with technology and its countless possibilities. With the camera firmly fixed on a wide-angle vantage point, his newest film – Here – traces one particular living space through the prism of time. Set on a New England plot of land, Zemeckis’ visual perspective never changes while everything around it does. Beginning before recorded time, Indigenous people lived there. Then came the settlers, including Benjamin Franklin’s estranged son who built a huge colonial manor across the street.

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HERE – Review by T. J. Callahan

It’s about time Tom Hanks and Robin Wright got back together with their Forrest Gump director Robert Zemekis for a film about time. They all reunited for the drama/fantasy, Here, and it feels…like a box of chocolates. You never know what you’re gonna get. Zemekis, known for his technologically creative film, uses AI to take us from the dawn of time to the 21st century in this generational story of families told from a single vantage point. The director successfully de-ages and ages not only Hanks and Wright, but also Kelly Reilly and Paul Bettany along with several other “tribes” in a historical look at how one single location affects those who inhabit it.

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LITTLE WING – Review by Nadine Whitney

Little Wing had the potential to punch up the comedy so it could gut punch the drama, but the film is lumpen where it should be light and too concerned with telling the audience what is happening but not always backing up why. The film’s star, Brooklynn Prince, will fly to heights, but Little Wing is a non-starter.

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A HAUNTING IN VENICE – Review by Valerie Kalfrin

Famous detective Hercule Poirot is a haunted man, even when not in a haunted house. A Haunting in Venice, director and star Kenneth Branagh’s third outing as Agatha Christie’s brilliant and persnickety detective, is his most satisfying turn yet. Full of Gothic touches that enhance the mysterious mood, the film also is rich in theme: that we all live with ghosts, to paraphrase one character, whether real or not. A Haunting in Venice is briskly entertaining Agatha Christie comfort food with a larger theme about the secrets we carry. Should Branagh and company continue putting Poirot on the case, here’s hoping they also dip into Christie’s more obscure catalogue to offer audiences more surprises.

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A HAUNTING IN VENICE – Review by Susan Granger

Released on September 15, Dame Agatha Christie’s 133rd birthday, Kenneth Branagh’s A Haunting in Venice is adapted from her novel Halloween Party. In post-World War II Venice, ostensibly retired Belgian detective Hercule Poirot (Branagh) is urged to attend a séance by mystery writer Ariadne Oliver (Tina Fey), who has used him as a character in her crime-riddled novels. Taking considerable liberties with Agatha Christie’s original 1969 whodunit, screenwriter Michael Green and actor/director Branagh have transplanted the murder mystery to picturesque Venice, where gothic ghosts seemingly waft among the rain-shrouded canals.

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A HAUNTING IN VENICE – Review by Maitland McDonagh

Hercule Poirot is attuned to the finer points of human psychology, allowing Agatha Christie room to explore emotions alongside clues and Kenneth Branagh’s A Haunting in Venice is just as invested in the way its characters feel as in what they do. Branagh never lets Poirot’s quirks take precedence over the fact that he’s a character with real depth, a man whose dedication to uncovering the truth is rooted in a past darkened by tragedy and dislocation. For all his mannered affect, injustice and cruelty offend Poirot’s sense of the way things ought to be but all-too often aren’t, and that any victory over life’s fundamental unfairness is worth the fight. When everything has been unraveled and explained, that’s a solid and satisfying takeaway.

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THE YELLOWSTONE TRILOGY – Review by Susan Granger

With Yellowstone currently wrangling its fifth successful season, its creators – Taylor Sheridan and John Linson – have lured audiences once again into the interconnected Big Sky mythology of the American West, as epitomized by the dysfunctional Dutton dynasty. The Dutton family has owned the Yellowstone since 1883. That prequel series detailed their westward journey from Texas in a wagon train, showing how John Dutton’s great-grandfather, Civil War veteran James and his wife Margaret founded the Dutton ranch on a spot of land chosen by their daughter Elsa for her gravesite.

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YELLOWSTONE – Review by Susan Granger

Now in its fourth season, Kevin Costner’s wildly successful, Western melodrama Yellowstone is a powerful geyser that keeps spewing off sequels. Created by Taylor Sheridan, the Paramount Network’s saga revolves around gruff Montana cattle king John Dutton’s battle to keep his sprawling Yellowstone Ranch out of the hands of wealthy land developers. At his side are his hellcat daughter/lawyer Beth and her husband/foreman Rip Wheeler, who brands devoted ranch hands with a “Y.”

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