ONE NIGHT IN MIAMI (TIFF 2020) – Review by Alexandra Heller Nicholas

As early as Lois Weber and Ida Lupino, women have shifted professionally from acting to directing. This is no generalized segue to Regina King and her directorial debut, One Night in Miami: as a director, she is that talented, that important, that pioneering. In 2020 we can save ourselves enormous energy and drama by just handing King and One Night in Miami all the major awards now and save ourselves the circus of pretending any film this year will better it.

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