KOKO-DI KOKO-DA – Review by Maitland McDonagh

Though for much of its running time the Swedish-Danish thriller Koko-di Koko-da looks like a “terrorized by psychos” movie on the order of Last House on the Left or Funny Games, it gradually reveals itself to be something more complex. In fact, it’s close kin to Oliver Stone’s first feature, Seizure… but more on that later.

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KOKO-DI KOKO-DA – Review by Alexandra Heller-Nicholas

Harkening back to Nyholm’s earlier work, Koko-Di Koko-Da features a notable inclusion of the same shadow puppetry-like animation that in style and content recalls his 2009 short Dreams from the Woods. Bringing back some of that short’s key characters, the filmmaker again has proven his strengths lie in merging form in a simultaneously dark and playful manner with a sharp thematic edge.

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