WEEK IN WOMEN: Kristen Stewart named Berlinale Jury President – Brandy McDonnell reports

Oscar-nominated American actor, screenwriter and director Kristen Stewart will serve as the president of the International Jury at the 73rd Berlin International Film Festival. Stewart first attended the Berlin International Film Festival in 2010 with Welcome to the Rileys. She has just completed production on Love Me, as well as on Love Lies Bleeding, and is currently working on her feature-length directorial debut, the adaptation of Lidia Yuknavitch’s The Chronology of Water.

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SPENCER – Review by Diane Carson

As Princess Diana, Kristen Stewart gives a magnetic performance. Most impressive was her ability to capture Diana’s nonverbal subtleties and her verbal rhythms, to communicate her entrapment and then the release of dancing spontaneously, exuberantly. Stewart was asked to dance at the conclusion of many production days, and the editing together of this extemporaneous, free expression conveys what Diana has been suppressing.

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HAPPIEST SEASON – Review by Susan Granger

Don’t get me wrong. I’m all in favor of diversity and inclusiveness, but this lesbian update on Guess Who’s Coming to Dinner? doesn’t have a shred of believability. Since her parents died, Abigail – a.k.a. Abby (Kristen Stewart) – has never been into the holiday season. Despite that, her live-in girl-friend, Harper (Mackenzie Davis), impulsively insists that Abby come home with her to celebrate with her family.

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SEBERG – Review by MaryAnn Johanson

The cat-and-mouse game that French New Wave icon Jean Seberg never realized she was playing with the FBI is the crux around which the confused Seberg pivots. By far the most compelling aspect of this limp, strangled attempt to merge the biopic with the paranoid thriller is the central performance by the always fascinating Kristen Stewart.

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REAL REEL WOMEN at TIFF 2019 – Report by Alexandra Heller-Nicholas

In the spirit of the AWFJ’s REAL REEL WOMEN project which showcases the breathtaking history of biopics about some of history’s most significant women, the 2019 Toronto International Film Festival includes an intriguing array of films that could comfortably be added to this formidable list, with a notable majority directed by women filmmakers.

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TIFF18 Review: JEREMIAH TERMINATOR LEROY (World Premiere) – Alexander Heller-Nicholas

In any other time, there surely couldn’t be a twisted lo-fi queer-leaning biopic co-starring Laura Dern and Kristen Stewart that could be anything less than a total smash hit. Individually, each actor has developed intensely devoted fan bases in both the general mainstream and simultaneously among cult film die-hards. Framed with that ever-alluring ‘based on a true story’ chestnut, Jeremiah Terminator LeRoy should be win-win. So this indie turn should be a slam dunk, and yet…these are far from ordinary times.

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LIZZIE — Review by Martha K Baker

Lizzie resurrects an old axe murder mystery. The year is 1892. The murder: Mr. and Mrs. Borden. The suspect: Lizzie. If this movie were just the unspooling of a Victorian axe murder, it would still balance merit with demerits, but as it’s based on a real murder, Lizzie takes on an element of history beyond the psychological thriller. The story begins in medias res as Lizzie Borden, one of wealthy Alexander Borden’s two daughters, finds her father axed. She screams for Bridget, the servant, to call the police. Then they find Abby Borden, Lizzie and Emma’s icy step-mother, also axed.

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