THE BELDHAM – Review by Liz Whittemore

Angela Gulner’s sinister psychological horror, The Beldham, follows a new mother who moves into an old house that her aging mother is in the process of flipping with the assistance of her new boyfriend and live-in aid. When sounds and visions begin to make Harper feel unsafe, her cries of fear are met with disdain and maternal gaslighting. As signs that something in this house is not quite right mount, Harper must confront the past to survive the present.

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A WOUNDED FAWN (Tribeca 2022) – Review by Alexandra Heller-Nicholas

What begins seemingly as a slick, sexy although at first perhaps superficially color-by-numbers serial killer movie rapidly turns into something altogether different, and from the outset it is probably worth acknowledging that this turn certainly won’t be for everyone. There is, surely, an alternative vision of this same film that takes a more orthodox path, eschewing the wackadoodle abstraction that the Carrington reference itself so overtly belies from the outset that would most certainly make A Wounded Fawn appeal to a wider audience. But this is, thankfully, not that film – which is great news if you are a fan of wackadoodle abstraction.

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