CAROLINA CAROLINE – Review by Diane Carson
A sophomoric Bonnie & Clyde/Badlands copycat, director Adam Carter Rehmeier’s Carolina Caroline lacks complex characters and narrative creativity. Beginning three months after the main events, and thereby squandering any suspense concerning who will survive, Caroline (Samara Weaving) exits a motel room, throws up, and, after a driver exits his truck, steals it. Flashback to Caroline working in a rural Texas gas station when Oliver (Kyle Gallner) perpetrates a money payment/exchange con on the clerk. Confronting him, Caroline becomes enamored of his sophomoric philosophical justification and, shortly thereafter, agrees to hit the road with him, shoplifting, picking pockets, and robbing small town banks disguised with sunglasses and a black wig that is clearly exactly that. Unfortunately, this self-described “Southern gothic romantic crime thriller” fails to develop Oliver or Caroline beyond knee jerk simplicity.
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