DIE MY LOVE – Review by Valerie Kalfrin

Die My Love is a fever dream of a film, more about a character’s headspace than a propulsive (some might say cohesive) plot. Just under two hours, it’s an impressionistic collage evoking feelings of listlessness and loss—specifically, feeling untethered, perhaps drowning. Adapted from the 2012 novel Matate amor by Ariana Harwicz, Die My Love is ostensibly about postpartum depression that veers into psychosis. Like If I Had Legs I’d Kick You and 2024’s Nightbitch, it’s also about how motherhood can feel more stifling than satisfying.

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DIE MY LOVE – Review by Lynn Venhaus

For all its fiery rage, “Die My Love” has an icy veneer that is distressing for a contemporary look at postpartum depression struggles. Lacking an emotional connection to the main characters, the sketchy narrative engulfs us in vague dysfunction and incendiary madness conveying traumatic motherhood pressures and marital decline. For all its fever dream fantasia and moody art aesthetic, this flailing psychological drama is unfortunately an empty vessel. Imagery instead of substance becomes tedious and frustrating.

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ROOFMAN – Review by Valerie Kalfrin

Roofman hypes its true-story roots but might have worked better as a documentary. The ads with star Channing Tatum, sporting an inner tube and toting a giant plush bear and a gun, highlight the quirks—“based on actual events and terrible decisions,” the poster says—but there’s little here to show why audiences should care for this guy. I’m not saying every protagonist needs to be likeable, but the film leans on Tatum’s considerable charm instead of fleshing out the motivations and flaws of its main character.

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HAUNTED MANSION – Review by Emma Badame

Disney’s first attempt at turning their popular, gothic Haunted Mansion ride into a film gave them a hit at the box office, but was widely panned by critics. Cut to 20 years later and the House of Mouse has decided to revisit the idea – clearly hoping to recreate that movie-goer mojo but this time, capture the goodwill of the critics, too. It’s truly a delightful surprise that Haunted Mansion is as enjoyable as it is. Particularly in light of its predecessor. It’s truly the perfect summer-movie fare and a great way to spend an overheated afternoon or evening for film fans of all ages. For lovers of the spooky and supernatural, it delivers there, too.

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JUDAS AND THE BLACK MESSIAH – Review by Martha K Baker

There is nothing pretty about Judas and the Black Messiah. It is, of necessity, a very dark movie, dark in its setting and lighting, and dark in the horrible history of J. Edgar Hoover against Blacks in general and, here, Fred Hampton in particular. Hoover called first for Hampton’s jailing and then for his killing. At 21.

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THE PHOTOGRAPH – Review by Leslie Combemale

From its first moments, The Photograph, with its underlying romantic jazz score and winning co-leads, is calling the viewers into an intimate slow dance, maybe with Luther Vandross playing, that feels safe, sexy, and so satisfying you won’t want it to end. It’s the sort of movie that’s rarely made anymore, yet here it is.

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