THE SPINE OF NIGHT (SXSW 21) – Review by Alexandra Heller-Nicholas

The Spine of Night is an animated feature film, but this is no children’s movie, not by any stretch. Aside from the violence, blood and gore, there’s also genitalia akimbo; boobs, balls and everything in between rendered in lovingly graphic detail in vibrant, intricate color.

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DEPRAVED – Review by Maitland McDonagh

Longtime independent Larry Fessenden, whose Glass Eye Pix has consistently supported young genre filmmakers, returns to a classic story he first tackled 25 years ago in No Telling, with a modern-day Frankenstein story that returns to one of the novel’s core themes: The dense and complex relationship between parents and children, however ambivalent the parents and however challenging the child. Fessenden pokes around some uncomfortable truths and the result is a discomfiting horror film for the social-media generation.

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